1.Renovation, overpainting, inpainting: strategies of the painter-restorer in Portugal, from the 16th to 19th century. Ideological reasons for the iconoclast and the iconofylic practices, or the concept of «utilitarian restoration» versus «scientific restoration»

作　　者：Vítor Serrão

出　　处：Conservar Património. 2006 ;(3-4):53-71.

出版社：Associação Profissional de Conservadores - Restauradores de Portugal

文章 ID：183225179

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2.All that glitters is not gold: silver leaf gilding, another means to an end

作　　者：Tiago Dias ;Elsa Murta ;Cristina Barrocas Dias 等

出　　处：Conservar Património. 2015 ;(22):29-40.doi:10.14568/cp2015014

出版社：Associação Profissional de Conservadores - Restauradores de Portugal

文章 ID：176232514

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3.A PINTURA SEISCENTISTA ENEIAS TRANSPORTANDO ANQUISES NA FUGA DE TRÓIA DA BNP POR DIOGO PEREIRA

作　　者：Vítor Serrão

出　　处：Art is on. 2016 ;(3):56-62.

出版社：ARTIS- Faculdade de Letras da Universidade de Lisboa

文章 ID：249152904

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4.Preparing the image: ground layers in Portuguese painting of 15th and 16th centuries - engraving and preparation

作　　者：Vanessa Antunes ;Vítor Serrão ;João Coroado 等

出　　处：Conservar Património. 2018 ;(27):37-48.doi:10.14568/cp2016032

出版社：Associação Profissional de Conservadores - Restauradores de Portugal

文章 ID：215497213

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