1.Musicians do not benefit from differences in fundamental frequency when listening to speech in competing speech backgrounds

作　　者：Sara M. K. Madsen ;Kelly L. Whiteford ;Andrew J. Oxenham

出　　处：Scientific Reports. 2017 ;7(1).doi:10.1038/s41598-017-12937-9

出版社：Springer Nature

文章 ID：235895459

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2.Revised estimates of human cochlear tuning from otoacoustic and behavioral measurements

作　　者：Christopher A. Shera ;John J. Guinan ;Andrew J. Oxenham

出　　处：Proceedings of the National Academy of Sciences. 2002 ;99(5):3318-3323.doi:10.1073/pnas.032675099

出版社：The National Academy of Sciences of the United States of America

文章 ID：200565278

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3.Rhythm judgments reveal a frequency asymmetry in the perception and neural coding of sound synchrony

作　　者：Magdalena Wojtczak ;Anahita H. Mehta ;Andrew J. Oxenham

出　　处：Proceedings of the National Academy of Sciences. 2017 ;114(5):1201-1206.doi:10.1073/pnas.1615669114

出版社：The National Academy of Sciences of the United States of America

文章 ID：191705462

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4.Mammalian behavior and physiology converge to confirm sharper cochlear tuning in humans

作　　者：Christian J. Sumner ;Toby T. Wells ;Christopher Bergevin 等

出　　处：Proceedings of the National Academy of Sciences. 2018 ;115(44):11322-11326.doi:10.1073/pnas.1810766115

出版社：The National Academy of Sciences of the United States of America

文章 ID：219785149

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	Christopher Bergevin	1篇
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