摘要:This article is the second part of the study published in the previous issue of SRAZ. It continues the examination of the relationship between theater and politics as exemplified by the reception of Anglo-American plays on the post-war Croatian stage. While the previous section dealt with the 1945-55 period, this section develops the topic up to the early seventies. Two chapters constituting the second part of the study supply further evidence that the connections between theater and the politics are always there, even when submerged and perhaps for the moment forgotten, only to appear again as a new development in their tense and uneasy interrelationship.