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  • 标题:Revolutionary Roads: Violence versus Non-violence: A comparative study of The Battle of Algiers (1966) and Gandhi (1982)
  • 本地全文:下载
  • 作者:Vikash Kumar
  • 期刊名称:Rupkatha Journal on Interdisciplinary Studies in Humanities
  • 电子版ISSN:0975-2935
  • 出版年度:2013
  • 卷号:5
  • 期号:2
  • 出版社:Rupkatha Journal on Interdisciplinary Studies in Humanities
  • 摘要:Considered one of the finest realist films ever which reconstitutes perfectly the revolution by the people of Algeria, The Battle of Algiers (Pontecorvo Gillo, La Bataille d'Alger, Igor Film/ Casbah Films, Italy, 1966) presents us an image of a world of anger and agony. The making of The Battle of Algiers possibly heralded the birth of Algerian cinema as it was the first film made just after their independence. In fact, this cinematographic masterpiece reveals to its viewers a plethora of images depicting the Algerian people in their quest for independence. Made in the year 1966, by Gillo Pontecorvo and based on the personal experiences of Yacef Saddi, Military Head of the FLN (Front de liberation National/ National Liberation Front) who also collaborated on the script of the film, The Battle of Algiers, interestingly, was directed with the aim to highlight the invisible aspects and unheard voices of this violent revolution by the people of Algeria as well as the counter measures taken by the colonial power to suppress the movement.
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