出版社:Fundación iS+D para la Investigación Social Avanzada
摘要:The sociocultural changes developed in the postmodern audiovisual representations of the holocaust are generating a new problematic field focused on the limits of the image who are connected with the ways in which we get in touch with our own memory. This “news ways of social representation” of the Holocaust include the use of social networks as an element of remembrance –Facebook apps used by the Auschwitz Museum, on-line access to the database of the testimonies achieved by the Survivors of the Shoah Visual History Foundation or the Fortunoff Video Archive for Holocaust testimonies-, the including of explicit referents in videogames such as Sonderkommando Revolt, Doomjedi, 2009, or finally, explicit postmodern movies (Inglourious Basterds, Quentin Tarantino, 2009). The main target in our Project is to compare the classical theories about the representation of the camps developed by the media studies and the sociology (Lanzmann, Baer, Didi-Huberman), with these new texts who are facing the contrast between beeing banal and building the memory of the new generations.