出版社:Department of Ethnology and Cultural Anthropology, Faculty of Philosophy, University of Zagreb
摘要:The article catalogues performance arts in which food is used as a political stance, while pointing out in that process the danger of the implemented metaphor of the political kitchen in the Croatian period of transition, and of the overall recession and depression. The stimulus for writing about this topic that life itself imposes came to me from two artists (Siniša Labrović and Marko Marković), who oriented their performance art to auto-cannibalism – to drinking and slurping their own blood (M. Marković) and urine (S. Labrović) and to eating their own tissue, their own flesh (M. Marković).
关键词:performance art; action; food as a political stance; political kitchen