摘要:This essay’s objective is to examine an overlooked, outstanding example of the businessman as artist, Edsel Bryant Ford. To consider his skill as automobile designer; his forceful, innovative management of advertising and public relations; his adept painting, sculpting and photography; his exceptional sense of personal elegance; the creation by his wife and himself of a remarkable personal residence; his philanthropic enterprises; his challenging, adroit and often deeply frustrating dealings with his own father Henry Ford; and, last but not least, his use of Diego Rivera—a man strangely misunderstood in his own time as the artist who did not do business.