摘要:This article deals with a genre of American periodical, the so-called ‘true crime magazine,’ during the period of its greatest popularity, in the 1940s and 1950s. While claiming to treat crime in a photojournalistic fashion, these magazines employed a variety of strategies in order to render their images dynamic and sensational. These included the use of studio photographs featuring models, the organization of pictures within inventive layouts, and the use of non-photographic illustrations.