文章基本信息

标题：LAS MENINAS MODOS POLIFÔNICOS DO SIGNO SEMIÓTICO EM DIEGO VELÁZQUEZ E SUAS REPRESENTAÇÕES
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作者：Henrique Cláudio dos Reis Rodrigo Alexandre de Carvalho Xavier
期刊名称：Revista escrita
印刷版ISSN：1679-6888
出版年度：2009
卷号：2009
期号：10
出版社：Pontifícia Universidade Católica do Rio de Janeiro
摘要：elázquez, of 17th century Spanish baroque, painted Las Meninas, a picture that innovated painting and generated several imitations. Such innovation comes from its polyphonic language, which we can direct revolutionarily to the inquiries about the duties of painting, until then of religious and salvific background. They are duties that depend on what everyone reads on canvas, but in advance we can say that it is a painting of plural readings, including Foucault’s text. It is a matter of a sign that carries us away and of mirrors generating new signs. Who is Velázquez really painting? Simply himself, painting, or anyone of us, introspective and specularly? It’s a painting of reflexes and sign polyphonies. The responsibility of conception and donation of the sign is untransferable: we have to read the artist to understand his endless semiosis.