Music to Know About��Cassius - French musician - Brief Article - Interview
Sean KennedyHOUSE MUSIC SERVED SUNNY-SIDE UP
SEAN KENNEDY: You two have been making influential music with groups like Motorbass and MC Solaar for years. Then you put out your own record, 1999 [Astralwerks/Virgin], as the duo Cassius. How would you describe your sound?
PHILIPPE ZDAR: It's house music from various scenes, Chicago, New York, New Jersey and Detroit--all mixed together with Al Green, good soul music, the blues and jazz, too.
SK: Is Al Green your favorite musician?
HUBERT BLANC-FRANCARD: No. I would say Sly Stone and James Brown--and Aretha Franklin. I cried the first time I heard a Sly Stone record. [laughs]
SK: What about French influences?
PZ: Serge Gainsbourg is a very big inspiration for us. Forget about all the other artists. He is the all-time genius.
SK: The French house sound is identifiable around the world now. How did this vital scene develop in Paris?
PZ: In Paris, a lot of people who understand house love the Chicago sound and a lot of producers were doing similar things. And when people talk about the French sound, it is, in fact, a very deeply Chicago-oriented sound.
SK: American music obviously had a major impact on you.
HBF: In France, 70 percent of the music you hear growing up is American or English, so it's a big inspiration for us.
SK: But now the reverse is happening: your music is inspiring American kids.
HBF: French music was almost never exported, which was a frustration for us, since most of our heroes are American or English. What started as a small house scene has traveled outside the country, and it's really exciting to know that people are dancing to our music in clubs in America and Japan.
SK: What's your all-time favorite record?
BOTH: Thriller by Michael Jackson.
Sean Kennedy is an editorial assistant at Interview. Above: Hubert Blanc-Francard (left) wears a top by TOM FORD FOR YVES SAINT LAURENT RIVE GAUCHE, Philippe Zdar wears a jacket by EMPORIO ARMANI.
COPYRIGHT 2001 Brant Publications, Inc.
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