摘要:Artikel ini melihat perspektif kekontemporeran seorang koreografer muda,Ari Ersandi,melalui pengalaman serta prosesnya berkarya Lalube. Pelabelan tari kontemporer secara eksplisit maupun implisit pada festival maupun pergelaran karya tari banyak terjadi. Produksi karya terus dihasilkan namun tidak seturut dengan produksi wacananya. Penelitian ini menggunakan metode kualitatif dengan memperhatikan fenomena yang terjadi melalui proses latihan dan pengalaman koreografer. Wacana rasionalitas,kebebasan,kreativitas,dan kemanusiaan oleh Sal Murgiyanto dipadukan dengan konsep kekontemporeran Giorgio Agamben digunakan untuk membedah kekontemporeran objek material penelitian ini. Ari Ersandi,koreografer urban yang datang dari Lampung ke Yogyakarta mulai belajar tari di perguruan tinggi. Keterbatasannya menari tarian tradisi dan pengalaman hidupnya membuat Ari terpacu untuk mencari teknik gerak sendiri. Karya tari Lalube menjadi ungkapan resistensi dan eksistensi Ari Ersandi.
其他摘要:This article study about how the contemporary perspective of a young choreographer, Ari Ersandi,through his experience and the process of creating Lalube. Explicit and implicit labeling of contemporary dance in festivals and dance performances. The production of works continues to be produced but not in accordance with the production of the discourse. This study uses a qualitative method with regard to phenomena that occur through the process of training and choreographer experience. Sal Murgiyanto’s discourse on rationality,freedom,creativity and humanity is combined with the concept of contemporary by Giorgio Agamben. Those theory have been applied on this research object. Ari Ersandi,an urban choreographer who came from Lampung to Yogyakarta, began studying dance in college. The limitations of dancing to traditional dances and his life experience made Ari encouraged to find his own movement techniques. Lalube is an expression of Ari Ersandi’s resistance and existence.