文章基本信息

标题：“os dentes afiados da vida preferem a carne na mais tenra infância ”: etnocartografar com olhos de besta
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作者：Marcos Ribeiro de Melo ; Michele De freitas faria de Vasconcelos ; Edson Augusto de Souza neto 等
期刊名称：Childhood & Philosophy
电子版ISSN：1984-5987
出版年度：2020
卷号：16
期号：36
页码：1-28
DOI：10.12957/childphilo.2020.48116
出版社：State University of Rio de Janeiro
摘要：in this article, we experience the exercise of a screen ethnocartography in agency with the film Beasts of the southern wild (2012) by the director Benh Zeitlin. We tested a film experimentation that led to a renewed writing (our) ways of life. We bet on cinema and childhood as possibilities for creating cracks and a stutter of language for the creation of new worlds and ways of living. In cinema images less as a representation, and more as art that proposes incompleteness, fissure, a hole in appearances. In childhood as an exercise of differentiation and resistance to dominant narratives in a given context. In childhood as a limiting experience of/in language, tirelessly exposing the human condition in front of the world. Thus, accompanying the main character of the plot, little Hushpuppy — a six-year-old resident of the “Charles Doucet Island”, experienced as “the Bathtub” —, we are shaken by the forms of life there, considered bestial and not recognized by city humans. Hushpuppy, his father and friends resist attempts to destroy their existence by the forms of the state that try to domesticate them, imbued with the logic that primitives must come to civilization, just as children must become adults.
关键词：infância; cinema; etnocartografia de tela; bestas
其他关键词：childhood; cinema; screen ethnocartography; language; beasties