文章基本信息

标题：Fantasmas da escrita: Amor de perdição e o cinema epistolar de Manoel de Oliveira
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作者：Clara Rowland
期刊名称：Journal of Lusophone Studies
电子版ISSN：2469-4800
出版年度：2017
卷号：2
期号：1
页码：92-111
DOI：10.21471/jls.v2i1.141
出版社：American Portuguese Studies Association (APSA)
摘要：In the closing sequence of Manoel de Oliveira's Amor de perdição (1978), Teresa’s last letter to Simão Botelho reveals the phantasmagoric nature of the cinematographic image: in the posthumous temporality of its reading, Teresa enters the scene as an apparition, projected by writing and permitting the reunion, at last, of the lovers’ bodies—separated throughout the film—in the same shot. Through a detailed reading of the depiction of letters in Manoel de Oliveira’s adaptation of Camilo Castelo Branco's novel, and of its connections to other works by the Portuguese filmmaker, this paper explores the interplay between writing, image, and authorship in what has been termed Oliveira’s "epistolary cinema"and its relevance for a redefinition of the role of writing within his ideas regarding film.
关键词：Epistolarity; writing in film; temporality; authorship; adaptation