文章基本信息

标题：Peircean semiotics in the context of design praxis: Abduction and perception in dialogue
其他标题：Семиотика Пирса в контексте практического дизайна: диалог абдукции и перцепции
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作者：Renira Rampazzo Gambarato ; Renira Rampazzo Gambarato ; Renira Rampazzo Gambarato 等
期刊名称：Sign Systems Studies
印刷版ISSN：1406-4243
电子版ISSN：1736-7409
出版年度：2013
卷号：41
期号：4
页码：424-432
DOI：10.12697/SSS.2013.41.4.03
语种：English
出版社：University of Tartu Press
摘要：Th is paper discusses design process as a creative activity along with conceptual correlations of the semiotics developed by Charles Sanders Peirce. Th e central aim of this paper is to examine one of the most important concepts in Peirce’s theory related to design praxis: the concept of abduction. Abduction is the driving force behind creation and a way of producing new ideas. Peirce’s original concept is fundamental in order to maintain constant commitment to innovation required by design. To transmit messages in a creative way it is more effi cient to intensely work with associations by similarity in order to obtain signs rich in information and analogies. Design communicates by all its constituent elements: shape, function, colour, material, technique, technology, etc. Th erefore, signs of design share peculiar values of artistic signs as well as those of communicative ones. Th e associated information is as much aesthetic (shape) as it is semantic (content). Th e appropriation of Peircean concepts contributes to the understanding of the creative process, which in turn is crucial for understanding new possibilities by means of design.
其他摘要：Процесс дизайна как творческое действие рассматривается в статье в рамках семиотики Чарльза Пирса. Главная цель статьи – рассмотрение концепта абдукции, который наиболее тесно связан с практическим дизайном. Именно абдукция включает творческий процесс и
关键词：Peircean semiotics; abduction; perception; design innovation