出版社:Editura Universităţii "Alexandru Ioan Cuza" Iaşi
摘要:The poetics developed by Théophile Gautier in his short stories entails an artistic reconfiguration of the world of the dream, which is traditionally conceived as a boundless space. The physical reconstruction of the oneiric universe is made possible by the artistic perception of reality, namely by one essential element of any artistic endeavour, which Romanian aesthetician Tudor Vianu calls isolation. In Théophile Gautier’s view, the dreamer needs to assert the existence of his personal space, by sometimes renouncing any signs of life and mobility, in order to give a more artificial dimension to the reality of his dream. Thus, the limit itself acquires a highly concrete and physical dimension, and the access to the territory of the dream is carefully prepared, while the borders are marked by immediately perceptible signs. This is what makes the dream a distinctive element in Gautier’s writings, highlighting the outstanding plasticity of his images (despite their occasional banality) as well as the alternation of closings and openings. The attention bestowed on form and clear hues, viewed as a hallmark of civilization, joins, every now and then, a culturally determined horrible reality.
其他摘要:Conçu traditionnellement en tant qu’espace dépourvu de toute limite, le monde du rêve acquiert dans la poétique développée par Théophile Gautier dans ses nouvelles le sens d’une reconfiguration de l’art. La perception artistique de la réalité détermine un
关键词:dream; isolation; pictorial; border; construction
其他关键词:rêve ; isolement ; pictural ; limite ; construction