摘要:Gamelan Ketug Bumi is a new gamelan that was born in 2015 on the initiative of I Gede Arya Sugiartha which has developed in such a way. As a new gamelan,there are certainly not many people who have written it in various studies,including art,musicology,and other studies. Therefore the author tries to write it in a historical study. This paper aims to express and emphasize that in every event that occurs at this time is a series of past events,such as the Ketug Bumi gamelan which can be sequenced in its development and changes from past events. This study uses the historical method in the form of heuristics,criticism,interpretation,and historiography. Heuristics are carried out on current documents in the form of 2015 Ketug Bumi Parade Production Staff Decree,then from past documents such as kakawin and babad. The main instrument used in the Ketug Bumi gamelan is tambur (mredangga),used as the main element in the historical search of the Ketug Bumi gamelan. The writer explained in part about the mredangga in an article entitled “ Mrӗdangga: An Early Search of the Gamelan War in Bali” in the journal Kalangwan. The word tambur itself is found in the Balinese literary manuscript of the parikan type,but many are found in manuscripts in the form of babad from outside Bali.
其他摘要:Gamelan Ketug Bumi merupakan gamelan baru yang lahir pada tahun 2015 atas prakarsa I Gede Arya Sugiartha yang telah berkembang sedemikian rupa. Sebagai gamelan baru,tentulah belum banyak orang yang menuliskannya dalam berbagai kajian baik seni,musikologi,