文章基本信息

标题：Angsel - Angsel in Gong Kebyar
本地全文：下载
作者：I Ketut Yasa
期刊名称：Mudra: Jurnal Seni Budaya
印刷版ISSN：0854-3461
电子版ISSN：2541-0407
出版年度：2018
卷号：33
期号：1
页码：85-92
DOI：10.31091/mudra.v33i1.324
语种：English
出版社：Institut Seni Indonesia Denpasar
摘要：Gong Kebyar today is one of the Balinese gamelan types which has a very strong or dominant position among other Balinese gamelan devices. Angsel is a part of garap gending in the form of a special work that is usually as a variation or tension to liven up the atmosphere of garapan,or it can also be a sign of transition,a moment of pause or a sign of completion (suwud). The result of the research shows that in Gong Kebyar there are several types of angsel,nine of which are 1) angsel Kempli,(2) angsel Kempul, (3) angsel Kemong,(4) angsel Gong,(5) angsel Tugak,(6) ) angsel Sigug / Ngandang,(7) Bawak/ short, (8) Angsel Lantang / Dawe / Long,and (9) angsel Suwud / finish. The motifs of the angsel can be grouped into 11 groups according to the short or length of the angsel based on the taps or the beat of the Kajar contained within the angsel itself. The 11 groups are from the group of one bar to the group of 12 bars. Lastly, the function of the angsel,especially in the group of gending can be grouped into two,namely pategak gending and dance accompaniment gending.
其他摘要：Gong Kebyar dewasa ini merupakan salah satu jenis gamelan Bali memiliki kedudukan yang sangat kuat atau dominan di antara perangkat gamelan Bali lainnya. Adapun angsel adalah bagian dari garap gending yang berupa garap khusus yang biasanya sebagai variasi
关键词：angsel;Gong Kebyar