文章基本信息

标题：Markers Of Post-conceptual Painting In Bandung Contemporary Arts (A Case Study On Errata-optika Exhibition)
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作者：KIKI RIZKY SOETISNA PUTRI ; SETIAWAN SABANA
期刊名称：Mudra: Jurnal Seni Budaya
印刷版ISSN：0854-3461
电子版ISSN：2541-0407
出版年度：2016
卷号：31
期号：3
页码：270-276
DOI：10.31091/mudra.v31i3.41
语种：English
出版社：Institut Seni Indonesia Denpasar
摘要：Painting in its development has undergone various criticisms both of the medium and its conceptual substance. Currently painting is widely regarded as mere representation strategy. This study tries to see and tracing the paradigm shift in the era of contemporary painting,conceptual expansion,particularly the use of optical devices in its creation. Case study in this research is an exhibition in 2007 entitled Errata-Optika that was believed to be an important milestone paradigm shift in contemporary painting. This study used qualitative methods to approach the criticism and the study of literature on the history of painting to contemporary era. Observation was carried out as a method of collecting data from the exhibition Errata-Optika. The exhibition featured seven artists and twenty-two paintings that used optical devices in its creation method.
其他摘要：Seni lukis dalam perkemhangannya telah mengalami herhagai kritikan baik itu terhadap medium maupun substansi konseptualnya. Saat ini seni lukis banyak dianggap sebagai strategi reprsentasi belaka. Penelitian ini mencoba untuk melihat dan menyusuri perubah
关键词：Post-conceptual Painting;Contemporary Art;Bandung;Exhibition
其他关键词：Seni Lukis Pos-Konseptual;Seni Rupa Kontemporer;Bandung;Pameran)