文章基本信息

标题：Vivir tras la catástrofe. El arte como intersección entre la imagen viviente y la conciencia. Una aproximación a la serie 'Chernobyl' desde la ontología de la imagen
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作者：Marc Pallarès-Piquer ; J. Diego Hernández ; W. José Castañeda 等
期刊名称：Arte, Individuo y Sociedad
印刷版ISSN：1131-5598
电子版ISSN：1988-2408
出版年度：2020
卷号：32
期号：3
页码：738-798
DOI：10.5209/aris.65826
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：This article approaches the catastrophe from the Chernobyl series, by conducting a research exercise-oriented between analysis and transgression to investigate our contemporaneity, from establishing an interpretive attitude that considers the content as the basis of the action challenge and the overflow of modern technique, a matter that will be dealt with from the thinking operations of Heidegger and Deleuze, which constitutes an interweave that critically achieves the positions of these philosophers regarding the mentioned filmic work. The choice of Chernobyl is justified by being a sample of the intermediate interaction in the series that has converted some series, by having the contents that go beyond mere entertainment and that are erected in audiovisual productions that touch the deepest dimensions and complexity of our existence. Reason for quality is a fundamental environment to think the intersection between the living image and consciousness.
关键词：catástrofe;conciencia;imagen;arte;educación ciudadana;narrativa audiovisual