摘要:Film Cycle ofViolence tells us a tale of a wife named Jelita Nawangsari who experienced marital violence by her own husband.Like its namesake title,the pattern of violence itself does not necessarily happen all the time but recourses alongside moments of peace,even pleasantful.In this film, languages no longer merely exist as a tool to portray a reality, but also to define images of a media reality within the minds of common folk.Through film languages ( symbols ), verbals not only took form of written and spoken words,but also of pictures,photos,graphics, movements and etc.to allow the media ( film ) to become reality – constructing apparel, as perceived by the artist.
其他摘要:Film Cycle ofViolence tells us a tale of a wife named Jelita Nawangsari who experienced marital violence by her own husband.Like its namesake title,the pattern of violence itself does not necessarily happen all the time but recourses alongside moments of peace,even pleasantful. In this film, languages no longer merely exist as a tool to portray a reality, but also to define images of a media reality within the minds of common folk.Through film languages ( symbols ), verbals not only took form of written and spoken words,but also of pictures,photos,graphics, movements and etc. to allow the media ( film ) to become reality – constructing apparel, as perceived by the artist.
关键词:Film;pattern; the cycle of violence; film languages;and reality