出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：The aim of this essay is the analysis of the development of the concept of “Scientific Painting” through one of its most representative Spanish figures: José Parada y Santín. His theoretical framework and methodology will be considered. Moreover, an evaluation of his real achievement of his theory through his painting will be carried out. Finally, an analysis of his disciple’s art work José Gutiérrez Solana will allow us to reveal the paradoxical end of the Scientific Painting.
关键词：Pintura científica;Antropología Artística;José Parada y Santín;José Gutiérrez Solana.
其他关键词：Scientific Painting;Spanish Ninetheenth Century Painting;Artistic Anthropology;José Parada y Santín;José Gutiérrez Solana.
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