文章基本信息

标题：Korean Wave| When Indonesians Routinely Consume Korean Pop Culture: Revisiting Jakartan Fans of Korean Drama Dae Jang Geum
其他标题：Korean Wave| When Indonesians Routinely Consume Korean Pop Culture: Revisiting Jakartan Fans of Korean Drama Dae Jang Geum
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作者：Jae-Seon Jeong ; Seul-Hi Lee ; Sang-Gil Lee 等
期刊名称：International Journal of Communication
印刷版ISSN：1932-8036
出版年度：2017
卷号：11
页码：20
语种：English
出版社：USC Annenberg Center
摘要：The consumption of Korean popular culture has increased continuously in Indonesia since the early 2000s. This article investigates how “Hallyu” (the Korean Wave) is appropriated and experienced by Indonesian fans in their daily lives. Following up on our work in 2006, we carried out interviews in 2013 with 12 Indonesian supporters who had participated in the prior qualitative research on the Indonesian reception of the Korean television drama Dae Jang Geum ( Jewel in the Palace ). First, this article examines the historical development of the Hallyu phenomenon in Indonesia with rapidly digitalized mediascape of the country. Next, we examine the salient features of the appropriation of Korean pop culture and investigate the hybrid cultural resources and experiences. We focus in particular on how our interviewees construct and use a certain imaginary of “Koreanness” as a consequence of negotiation in relations of symbolic power. Finally, we discuss implications of the routinized consumption and habituation of Hallyu by its transnational audience to understand its cultural impact and significance in the global context.
其他摘要：The consumption of Korean popular culture has increased continuously in Indonesia since the early 2000s. This article investigates how “Hallyu” (the Korean Wave) is appropriated and experienced by Indonesian fans in their daily lives. Following up on our work in 2006, we carried out interviews in 2013 with 12 Indonesian supporters who had participated in the prior qualitative research on the Indonesian reception of the Korean television drama Dae Jang Geum ( Jewel in the Palace ). First, this article examines the historical development of the Hallyu phenomenon in Indonesia with rapidly digitalized mediascape of the country. Next, we examine the salient features of the appropriation of Korean pop culture and investigate the hybrid cultural resources and experiences. We focus in particular on how our interviewees construct and use a certain imaginary of “Koreanness” as a consequence of negotiation in relations of symbolic power. Finally, we discuss implications of the routinized consumption and habituation of Hallyu by its transnational audience to understand its cultural impact and significance in the global context.
关键词：Hallyu; Indonesia; the Korean Wave; national symbolic power; cultural appropriation; Koreanness