期刊名称：No Foundations : Journal of Extreme Legal Positivism
电子版ISSN：1797-2264
出版年度：2016
期号：13
出版社：CoE Foundations
摘要：The fusion of art, law, and politics achieved critical mass in the 1930’s—one need onlythink of the calculated exploitation of aesthetic forms of authority in Nazi Germanyand Fascist Italy; but Soviet Realism, despite its radically different ideologicalorientation was not far behind in cultivated the inter-relationship of political,aesthetic, and legal discourses. As will be seen, in Mexico, too, a post-revolutionarynationalist ideology recognized the work of artists as a crucial tool of its legitimacy.It hardly comes as a surprise then, that Walter Benjamin, whose ability to detect thefaintest breeze of the zeitgeist was so uncanny and so keen, should choose to writeon the subject.
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