文章基本信息

标题：Autoridad, poder y razón de Estado en el teatro de Antonio Enríquez Gómez
本地全文：下载
作者：Manuel Calderón Calderón
期刊名称：Revista de literatura
印刷版ISSN：1988-4192
出版年度：2017
卷号：79
期号：157
页码：95-120
DOI：10.3989/revliteratura.2017.01.004
语种：Spanish
出版社：Consejo Superior de Investigaciones Científicas
摘要：Comedies of political content written by Antonio Enríquez Gómez reflect, through the analysis of its four recurring themes —the dichotomy between law and power, the reason of state, the law enforcement from a political point of view and forgiveness—, the outlines of the nascent Leviathan or modern state. Although the patriarchal relationship between the Monarch and his people is based on a iusnaturalist conception, love should be subject to the effectiveness in the exercise of power. The characters in this theatre sometimes hesitate between Aristotelian-Thomistic rationalism and Machiavellian-Hobbesian reason of state and, on other occasions, they oppose the people’s strength, risk and will to the divine reason of Law. In the context of the Hispanic Monarchy crisis, Enríquez Gómez’s critics are not limited to Government representatives and civil servants, but also include the Church and common people (Third State).
关键词：Antonio Enríquez Gómez;Fernando de Zárate;17th Century Hispanic Theatre;Spanish-Portuguese Literary Relationships;Antonio Enríquez Gómez;Fernando de Zárate;teatro español del siglo XVII;relaciones literarias hispano-portuguesas