文章基本信息

标题：El arte como tecnología de la identidad: de la obra a la instalación
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作者：Iñaki Martínez de Albeniz
期刊名称：Papeles del CEIC. International Journal on Collective Identity Research
印刷版ISSN：1695-6494
出版年度：2017
卷号：2017
期号：1
页码：174
语种：English
出版社：Papeles del CEIC. International Journal on Collective Identity Research
摘要：The article presents an itinerary through the Contemporary Basque Art in order to analyze to what extent the visual arts have operated in the Basque social and political context, as technologies of identity, that is, how identity has been produced by certain artistic artifacts. However, it was not until recently, with the advent of the post-avant-garde movement and its assimilation by Basque artists, that these processes of identity construction through art became reflexively part of the repertoire of the artists themselves. The text establishes the dichotomy art-work/installation to asses this jump in the conception both of art and identity (and their mutual relationships): the passage from a modern art based on the production of art-works whose function is to essentially represent or reflect a "way of being”, towards a post-modern art that makes visible the working-process through which something “happens to be” as a result of the mobilization of certain deconstructive artistic resources.
关键词：basque art;aesthetics;identity;political Processes;black-boxes;arte vasco;estética;identidad;procesos políticos;cajas negras