摘要：Since its popularization, domestic internet became a fundamental piece in audiovisual works’ propagation. Outside the popular movies circuit, it stops being just a dissemination resource and also becomes a resource of access to such works, since they are not usually part of the collection of shops and rental shops. The object of this paper is the movie “Let The Right One In”, directed by Tomas Alfredson, and the contemporary distribution spaces of cinematographic works, taking into consideration the ease of archives’ circulation brought by the internet. We propose the creation of a metolodogy to delimitate the spaces and practices of cinematographic piracy, by determining elements that make it possible to verify extra official circulation of a movie on the internet. Keywords: cinema, internet, piracy.
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