文章基本信息

标题：Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void
本地全文：下载
作者：William Brown ; David H. Fleming
期刊名称：Film-Philosophy
印刷版ISSN：1466-4615
电子版ISSN：1466-4615
出版年度：2015
卷号：19
页码：124-145
语种：English
出版社：Film-philosophy
摘要：This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies.
关键词：Gaspar Noë, Enter the Void, Alain Badiou, Gilles Deleuze, altered states, cinema, drugs