摘要:In this article we show that the main work of the Count of Lautréamont, Les Chants de Maldoror , has been largely gestated under the influence of the great prophetic book: the judeo-christian Bible . This was evidenced more clearly through the Count´s bestiary. The purpose of this iconographyc alteration is the creation of a reversed Bible whose ultimate goal is the teofobia and, as we shall see, the deicide practice.
关键词:Conde de Lautréamont;Les Chants de Maldoror;La Biblia;bestiario