Overman.
Roberts, Jason
I walk through a pair of plate-glass double doors, pause and
breathe deep. Before me, neatly arranged in a maze of mirrors and
stainless steel, a gallery of machines whirs and hums. Blink and beep.
Among the machines I see legs pumping, chests heaving, faces twisting
with effort. The air rings with the clank of lead plates in a nearby
weight room, in the cardio room the high-frequency keen of a bank of TVs
airing sports, music videos and CNN Headline News. The floor
shakes--vibrations of the whump-whump-whump of an aerobics class
downstairs. Dance music, piped through a PA and full of bass, drowns out
all other sound: "Move your body; move to the groove; you can do it
if you let your body move it." I know the song well: Digital
Orgasm's 1980s techno smash, "Groove Train." It's
poetry. Spent exercisers pass me on their way out, wiping themselves
down with towels, and nursing bottles of Gatorade. They smell like
effort and fresh sweat.
This is the stuff. For those of you new to the party: life is one
big Becoming. Ongoing evolution to a better body, a better state of
mind.
"Hail, Greek god of the gym!" bellows a man behind a
gold-flecked Formica counter. He folds a freshly laundered batch of
white towels.
Dave Clinton--or "Dr. Dave"--is thirty-something, I
think, a grad student in European history at North Texas A&M. He has
shiny hair with an immaculate part, a wicked underbite, and a mouthful
of large teeth. He resembles a slightly doughy Arnold Schwarzenegger,
Texas-style.
"Ubermensch!" he says in his best Deutschland accent. He
frowns and puffs out his chest, flexes his arms. The frown looks silly,
because Dr. Dave isn't the stolid, gruff type. He holds his rigid,
Kaiser-like pose until I nod my approval, eyes wide open like I'm
astonished, and give him a thumbs-up. My health club--Dallas-Fit!--is
near downtown, so the uptight, corporate clientele who work out here
consider Dave a bit of a rube. Personally, I think he's awesome.
"Livin' large," I say. "Must be really
hittin' the bench; your chest has exploded."
Dr. Dave relaxes, satisfied and proud. He's older than me and
there are power lifters in here that have me on size, so I don't
know why my opinion matters. In fact, there's this awkward kind of
hero worship thing. And I don't get the reference to ubermensch,
who Dr. Dave says was Nietzsche's superman. I asked Dave once if he
meant Clark Kent-Superman with the cape and the flying and all that, but
he said no and went off on this long, philosophical spiel.
"Hey, thanks again for hooking me up," I say. Dave got me
on as a personal trainer about three months ago and, thank Cod, because
I needed the job really bad. Since I started college I've been
short on cash, and I was sweating the upcoming summer-job-dilemma
big-time. This is way better than flipping burgers or renting out
movies. I can't stop thanking him.
"No problem," he says, dismissing my gratitude with a
smile and a wave. "You've been here for years and you
practically live here. You may as well get paid."
Dave's right; I practically live here. But I'm young and
I don't know much about personal training. I'm not even
certified.
"How's Kelly?" I ask.
"She's good," Dr. Dave says, turning
serious--something he rarely does. "Not the complications we'd
worried about, thank the gods. They might release her tomorrow."
"You decided on a name yet?"
"Jessica or Jasmine."
"Jasmine's nice."
"What about you?" Dr. Dave asks, his face brightening.
"What, like kids? I'm nineteen, man! Let's not even
go there."
Deciding to go there, Dave says, "Speaking of, Yecenia's
here." He grins and thumbs over to a nearby cardio room. Through a
wall-sized pane of Plexiglas, the quintessential Amazonian, a
raven-haired Latina Xena-warrior-princess, climbs a never-ending flight
of stairs on a Stairmaster 2750. Yecenia's leggy volleyball player
physique--the result of good genes and years of jumping and spiking--is
extraordinaly. I pass her off like she's no big thing, and hope my
not-being-impressed is quasi-convincing: "Huh."
Dave fixes his eyes on me and I wince. It's old news, really:
a summer fling, promises of eternal love (mine), a thousand-mile
relationship after Yecenia gets recruited by San Diego State, and a Dear
John letter not two weeks after I drop her off at the airport.
Occasionally, she comes back to Dallas, and every time I see her
it's like a punch in the stomach.
I'm ticked that Dave brought this tip. Americans get blown up
every day in Iraq; thousands of people were wiped out by Katrina; New
Orleans is a disaster zone. There's the Darfur thing. Name your CNN
headline of the day. There's way more newsworthy stuff out there.
I make a sour face and toss my car keys and gym bag on the front
counter, nearly knocking over a stack of Dave's towels. "Key
to a locker."
Disappointed because I won't play the game, Dave drops the
grin and acts hurt. "Want your usual? Eighty-one?"
"Yeah, thanks," I say. Dave hands me the key and I turn
toward the locker room, nose in the air. ! make a mental note to snub
him the rest of the day.
"Hey!" I hear him shout behind me. I turn.
"Ubermensch!"
Dave puffs out his chest and flexes--an olive branch, I guess. I
accept it by dropping my bag, rotating into a low sweeping bodybuilding
pose. I curl my biceps into tight balls. I realize it's cheesy, but
why not have fun?
As I'm putting my gear away, my cell phone vibrates in my
track pants. My gym bag is twice the width of the narrow locker so I
have to jostle it, and by the time I grab the cell, I've missed the
call. It's Shelly Wariner, my two o'clock. She leaves a
message: she's late coming from a power lunch with some corporate
bigwigs and the mayor or somebody, and will be here in twenty minutes,
blah, blah, blah. I walk out of the locker room, into the main lobby,
nod to Dr. Dave and take a seat in a waiting-room type chair. I pick up
Muscle & Fitness and read a piece about a new brand of Creatine.
I'm still insecure about my "personal trainer"
persona, so after a few minutes I put down the magazine and use the time
for visualizations. It's an old bodybuilding technique: if you can
see yourself doing it, you can do it. I see myself as a trainer
extraordinaire, the Master of Disaster, helping my clients on their road
to Becoming.
Someone enters my peripheral vision; a disembodied voice asks if
the seat beside me is taken. Still visualizing the training session with
Mrs. Wariner, I wave it off. The gym isn't crowded right now, so I
guess the question is rhetorical anyway. Moments later, feeling
satisfied about the gauntlet VII put my client through, I look at my
neighbor. It's Cathy Ball. Cathy Ball?!
Cathy Ball is a freak. F-r-e-a-k. But a freak in the good sense.
For two of my four years working out at Dallas-Fit!, Cathy Ball has cast
a shadow of perfection that no one else--man, woman or child--could
crawl out from under. Take Yecenia, for example. Yecenia's
fantastic, but she still looks girly; Cathy is a woman. Not an old woman
like my mom's old, but a young woman. Maybe thirties, Dr.
Dave's age or a little older. Chestnut colored hair, tan
honey-colored skin that glows. Five-six or seven, I guess, weighs about
one-twenty-five. But numbers don't say anything about Cathy's
hotness--an eleven out of a possible ten on the hotness scale.
I've heard through the rumor mill (well, Dr. Dave) that Cathy
hails from SoCal. No surprise there: the west coast was the birthing
place of the fitness industry as we now know it. Think of Venice Beach.
Cathy doesn't work here but I've seen her doing promo stuff
for Dallas-Fit!--photo shoots, commercials and such.
I don't know Cathy Ball, personally. I've teased Dr. Dave
that it's because she's still getting up the nerve to talk to
me, but I'm just talking smack. Honestly, she scares me a little.
She has an established reputation, her physique appearing on the covers
of all the top-tier trade mags--Health Magazine, Muscle & Fitness,
Shape. When Cosmo ran its series last year on "Top 10 Women to
Listen to about Weight Loss," Cathy Ball headlined the article. Dr.
Dave thinks she might be an ex-Lakers cheerleader.
"What's up?" she asks, not looking at me. She drinks
from a bottle of Pettier.
"Not much," I say. I don't know if she wants to talk
or she's just being polite. I look at my hands, then my veiny forearms, and I wonder if the tank-top I'm wearing makes me look
small. It's too loose, I decide. I should have worn a tighter,
white cotton wife-beater. It would better define my chest.
Cathy asks, "You took third in the FICC competition in
Phoenix, right?"
"Sort of," I say, astonished that Cathy Ball bothers to
know this about such a small-fry as myself. "Third overall--but
first in my weight class."
"I saw your picture," she says, pointing to the bulletin
board by the PowerAde machine. A blurb and my mug is one of a dozen
newspaper and magazine clippings. Dallas-Fit! tooting its own horn about
its staff, which l guess includes me now.
"Congrats," she says. I let eyes scan my body, starting
at my hairline, making its way around my jaw line, down my neck, chest,
stomach, groin, thighs and calves. Her gaze doesn't "go right
through me" or anything like that; instead, it kind of rests on the
surface of my skin, and it feels a little weird. She leans back in her
chair. I'm dying to know how I measure up.
"You're in good shape," she decides. "You
should place in a few more amateur competitions and then go pro. But
move to California, don't stay in Texas. And don't be so
snobbish about your choice of venue. You're one of those el
naturale types. But 'Natural Bodybuilding' is no different
than conventional bodybuilding." She sighs, and I wonder if this
exchange bores her. Like she's had it before and is just repeating
it, for me this time. "Do anything you like, as long as you get out
of here," she says.
"Huh," I say. She's right. Like many amateurs I
haven't juiced, yet. I'm only supplementing: weight gainer,
amino acids, a potpourri of herbs and a homemade brew of vitamins. My
hope is that natural bodybuilding develops a greater following before
I'm faced with jamming a needle in my ass. I don't want to be
that guy--the one everyone points to and whispers about. I don't
want the mood swings and acne and shriveled 'nads and all that. But
then, some of the juicers I've talked to say those are just scare
tactics.
I check my watch. Nothing from Mrs. Wariner. I look into the cardio
room. After forty-five minutes, Yecenia is still huffing away on the
Stairmaster. Somehow, with Cathy here beside me I don't feel so
jilted. If Cathy Ball will talk to me, even down to me in an offhand sort of way, I can't be a total loser.
"Cathy," I say, risking a familiar tone like we've
been longtime friends, "So what do you mean as long as I get out of
here?"
"Pardon?" she asks, like I've shaken her from some
daydream.
"Just now. What you said. Anything as long as I get out of
here."
Maybe she thinks her remark hurt me, because she says, "I know
you just got this job--and you don't want to hear this. But the
sooner you know, the better. You should choose another part time job. Go
wait tables."
"What do you mean? I find this all way cool," I say, with
a sweeping gesture at the exercisers on their treadmills and stationary
bikes and elliptical trainers. The floor still vibrates with the
whump-whump-whump of the aerobics class. I can hear the instructor yell
over the music to step, kick, step, kick. "Can't you just
smell the energy in this place? Dr. Dave's got a word for it I
really dig: 'Becoming: That's what all this is."
"Wait till you've worked here a while," she says.
"That sounds a little bitter," I offer pleasantly.
"Does it?" Cathy says. She shifts her weight in the chair
and leans toward me. I lean away, like something powerful has moved
inside of her and is dangerously close. "Take a look at that girl
over there." Cathy points to a 'tween on an elliptical
machine. "Cute, huh?"
I don't know where that question leads; Cathy's asking me
if I find a twelve year old girl hot? Thinking the question loaded, I
answer noncommittally: "I dunno."
Cathy shakes her head, like she's disappointed. "No.
Look. At her arms and legs. Those knobby knees. And how her forearms are
thicker than her biceps. How thin and undefined her thighs are.
She's young so I bet she doesn't have much in the way of tits
right now." I flinch at Cathy's use of "tits"--do
women talk like that about other women? "But if we took off that
oversized T-shirt, we'd see her breastbone sticking out like a
spearhead. Rib cage exposed. See that vacant look in her eyes?
She's in some Paris Hilton never-neverland. You know what's
sad? Look at how narrow and stooped her shoulders are, her broad hips.
She's short--even for twelve or thirteen. She'll be on that
elliptical machine the rest of her life and never have Paris
Hilton's figure."
Cathy points to a man on a treadmill.
"Six-five on the dot. Lanky with a gut. Skinny man paunch.
Thin pointy face, with a jowl that says 'alcohol: Hair's thin
and gray--but not totally gray, see?--so he's fifty-seven,
fifty-eight. What's he's doing? Reading the newspaper, walking
on the treadmill at two miles an hour with no incline. He might as well
be at home on his couch. You know why he's not? Because his doctor
told him to exercise. Paying sixty a month for the privilege of doing
it, too."
Cathy's hot, sure, but this unexpected cynicism throws me. I
wonder what her deal is. Inferiority complex? Feelings of inadequacy?
Someone screwed her over? I took psychology last semester. I know about
this stuff. This jaded outlook isn't gotten for nothing.
"That girl on the stationary bike," Cathy continues,
picking up momentum. "See how she's pumping her legs?
Impressive body."
"Yeah."
"Thick thighs, muscular shoulders. A tri-athlete. Look at the
way her head's hung. That's drive. But she's just as much
a slave to her body. She thinks in numbers. Calories burned. Miles per
hour. Target heart rates. She's not punishing herself in the same
way wannabe-Paris Hilton is, but she knows to the calorie how much that
slice of pizza was last night and how many miles she'll cycle to
burn it off. People like her call Lance Armstrong champion. Hero. Not
because he beat cancer, but because he cycles eight hours a day."
Cathy runs her fingers through her hair, then reclines in the chair
and closes her eyes and rests her head on the back of the chair, like
she's spent.
"Well, no offense, Cathy, but look at you. You're a
fitness model. Are you any less," I want to say
"neurotic" but instead I say, "concerned about your
body?"
She rolls her head back and forth on the chair's headrest.
Through squinted eyes, "There's a difference. I'm an
artist."
That smells like cow crap to me. To be nice I nod and say,
"Oh."
"And if you think differently," she says, reading my
doubt, "then you'll never reach the top. You're a male
version of me fifteen years ago. You've got promise--vascularity,
tone, proportion. But right now I see a cautionary tale waiting to
happen. You'll end up working here fifteen years from now, an aging
musclehead, only you won't be as supple when you're
thirty-five and you'll lose clients to guys like yourself now.
"Or you'll be like those washed up jocks that come in on
the weekends to lift weights, because they think muscles get guys laid.
Look at Dave."
I scowl. Hey, Dr. Dave's off limits. Don't do that to
Dave.
"I know you're friends with Dave," Cathy says.
"And he's an all-right guy. But he doesn't have a
foundation. VII bet he didn't play sports when he was young.
Probably in the German club or on the yearbook staff. Something brainy.
Marching band. One day he decides he's tired of being the band
fag--horrible label, but it's his, not mine--so he picks up a
dumbbell. In college he figured he'd 'recreate' himself.
Little does he know it's too late by then. Look past his height and
weight, at those flaccid muscles--no tone. And he can't control his
diet. Thick skin, subcutaneous fat smoothing over any chance of
definition. That's dairy. Cheese or ice cream."
Cathy pauses. Then, "He's talked to me before about you.
Why do you think he idolizes you so much? Calls you this
'uberman'--is that what it's called? It's because he
respects you; you have something he thinks he lacks--a body, which to
him is everything."
I want to remind Cathy that Dr. Dave has a lot going for him--a
wife, a kid. He's in grad school. He's no loser. But I'm
appalled by Cathy's shallowness and I just counter, as acidly as
possible, with, "Well, whatever." Cathy's hot, but not
that hot. Not hot enough to keep me interested in her spiel. In fact, I
come to the conclusion that she might just be a superficial bitch.
"There's more to people than that," I say.
"No, there isn't," Cathy says, seemingly unfazed by
me or my indignation. "People are exactly who they appear to be.
When you do what I do for twenty years, you can read them like a book. I
know who smokes (and who's quit and who's cheating), who
drinks (and who's hiding it), who's just had sex--God, you can
smell that a mile away. I know which men in here fantasize about me when
they're all by themselves in the shower; I see the desire in their
eyes when they look me over." Cathy pauses and takes a sip from her
Perrier.
"Show me someone at forty and I'll know if they'll
have arthritis at sixty. The people who walk through these doors--I can
tell if they're here to work out, they're here on
doctor's orders, or they're here for a hookup. Give it time;
you'll be able to read them, too. It's all right there on
their bodies. It doesn't matter one bit what people say, what their
intentions are."
Sounds like a bunch of New Age bunk to me. Seriously, where does
Cathy get off? Lamely, and not really wanting to continue this one-sided
conversation, I say, "Yeah, I can see how you think this place is
pretty depressing."
"It's not depressing at all," Cathy says. "I
wonder why you'd think that." She rises from the chair and
bends over. In spite of myself, I can't help but peek at her
magnificent quads. Jesus. Whatever stirred inside of her is gone. Now
she's bored with me, bored with her lecture and she signals its end
with a yawn.
I'm grateful. Wanting somehow to end on an up note, and maybe
give her a chance to redeem herself, I say good-naturedly,
"You're not making people very mysterious."
"There is no mystery," she says. "People are what
they are. Get a couple competitions under your belt--whatever it takes
to get sponsorship--and go pro. Get away from personal training. Health
clubs. Making people over. Using 'Becoming,' or whatever
Dave's stupid slogan is. Don't whore yourself to a lie."
A middle-aged woman approaches us, and Cathy gives her the same
calculating once-over she gave me.
"Like this right here," she smirks. "Look at that
swivel in her hips. You have fun, cowboy." Cathy Ball leaves me.
"I'm so sorry I'm late," Mrs. Wariner pleads,
clasping her hands together like a sinner begging forgiveness. I half
expect her to fall to her knees. "But when you're lunching
with a city councilman and the Bank One vice-president, it just
can't be helped. And traffic on I-35 was just horrendous."
At two-thirty? I wonder. And Dallas-Fit! can't be five minutes
from downtown. "Don't worry about it," I say. You have
fun, cowboy? "Do you need a few minutes, or are you ready to
go?"
"I'm ready when you are," Mrs. Wariner says.
I review my notes: Shelly Wariner. Age 52; height: 5'3".
Weight: 151 pounds. Occupation: Part-time fundraiser for the Dallas
Chamber of Commerce. Husband: Tom Wariner, 58, accountant at KPMG. Two
kids, Casey and Tom, Jr., 21 and 24. Goals: Look good in a
swimsuit--trip to Cancun in October. Weight loss goal: 30 pounds. Note
to self." Motivation may be an issue. Motivate to Become!
"Okay, let's do this!" I say, trying to shake off
all that negativity with Cathy. "You ready to sweat, Mrs.
Wariner?"
"Please, call me Shelly."
"Ready to sweat, Shelly?"
I sit up from the bench, after demonstrating the proper way to
bench press, and Mrs. Wariner--or, Shelly--says, "Goodness, I just
don't get it. How is it you've got a bigger chest than I
do?" She looks down at a too-small sports bra and pushes her boobs
together. Her chest isn't small at all. It isn't particularly
toned or firm, either, but I figure it's my job to change that.
Unfortunately, I'm zoning. And I'm not paying attention, so I
smile and nod reflexively to whatever Shelly says next. Is it true? Can
Cathy Ball really read bodies? Is it all just surface? I wonder what she
read in me.
"Come on. Let's get started over here," I say and
point to an empty bit of floor space. "Sit ups."
"Oh, abs?" Shelly whines. I've been a gym rat long
enough to know the typical gripes, and though I've only been a
personal trainer for a few months, I can see a pattern. If women
don't want to do something they'll whine or purr--like they
could do it but it hurts, and you're being mean by making them.
Guys will fake an injury, like their back. They'll look at you,
ashamed, and say they can't do it--though the heart is willing.
"Abs?" Shelly repeats. "Right off? Can't we do
something easier?"
"No." I stand firm. "Haven't you heard--pain is
good? Pain don't hurt," I say, quoting a cheesy line by
Patrick Swayze in Road House. I suspect half my time this session will
be spent affirming and motivating, but I can't turn Shelly on to
Becoming overnight.
We walk over to a piece of floor and Shelly drops down and lies on
her back. I straddle her, taking inventory of her body. She was probably
pretty twenty-five years ago. Before the marriage, the kids, the money,
a two-hour commute, those labor-saving devices. I drop to my knees and
hold her feet together.
"I pay you the big bucks because you put me in so much
pain," Shelly jokes. "But I don't mind laying here so
much."
"Come on," I urge. "Up."
Shelly struggles to sit up and squeals, "One."
"Down," I say, and Shelly drops back. "Up."
Shelly again struggles to sit up. Her pot-belly prevents a full
range of motion. White, pasty skin and fat has spilled over the
waistband of her flimsy, peach-colored gym shorts. White, pasty skin: I
wonder if Shelly doesn't get much UV. She's slender in her
limbs and legs and carries her weight in her gut and lower back, so
taking Cathy's cue I wonder if it's alcohol. I have to find
some friendly way of reminding Shelly that exercise is only half the
battle. Diet is crucial.
"Eight," Shelly wheezes, now almost out of breath. She
exhales in my face and her breath smells like onions, hamburger meat,
sour cream and some fruity mixed drink. Tex-Mex with a pina colada for
lunch.
"Nine."
"Ten."
Shelly collapses on the floor. "Pick me up," she says,
beckoning me by raising her arms.
I smile and walk away. "Come on."
For the next forty-five minutes, I put Shelly through my rehearsed,
pre-visualized gauntlet of sit-ups, pushups, lat pull-downs, bicep curls
and overhead presses. For some reason, while chaperoning her through the
weight room, I get a sinking feeling in the depths of my bowels. I
can't shake Cathy's cryptic remark: "You have fun,
cowboy." What the heck is that supposed to mean?
I think I have an idea by the time Shelly and I reach the squat
rack. The implication of each word hits me like a fifty-pound dumbbell.
And I hope I'm wrong.
I've shown Shelly the proper form for squats once before--the
first week I took her on as a client, so for the past few weeks, Shelly
has clone unassisted squats. She isn't the most graceful creature
on God's green earth, nor is she strong, but she has fair balance.
Right now she's totally not squatting correctly at all. She teeters
and totters and the bar tips, forcing me to grab it before the weights
slide off. (I should have used weight collars.)
"I just can't get the hang of it," Shelly complains.
"I feel all, I don't know how to say it, 'weird.' I
don't think I'm doing it right. Can you show me again how to
do it?"
"Sure," I say. Maybe she's tired, looking for some
excuse to bail on the workout. Friendly reminder number two: nix the
drinking before the gym. Not good for attitude or energy level.
I remove the twenty-five pound plates from the bar and replace them
with forty-five pounders. I walk under the bar, crane my neck, and hoist
the weight onto my shoulders. I take two steps back from the weight
rack, squat down, and push up.
"See," I say, breathing heavily. "I squat
down," I say, squatting down. "Head up, lean forward slightly,
back straight, and then up," I say, pushing up. "Watch me
again. Keep an eye on my legs and hips." I squat down and push up.
On the fifth repetition a pair of hands cups my ass, one hand on
each cheek. They don't pinch or grab but sit there, unmoving.
I'm stunned by the boldness and the reality of it; maybe Shelly
misread what I meant? I push up quickly and waddle the weight over to
the rack. I turn to her and smile. "You know you really didn't
have to do that; I said watch me, you." I'm close enough that
I see the creases in her face and the makeup poorly concealing them. It
freaks me out that this woman who was power lunching with city bigwigs
an hour ago just grabbed my ass. It freaks me out double when I consider
she's flirting with someone her kids' ages.
Shelly grins like that cartoon cat from Alice in Wonderland. I try
to silence the words: "You have fun, cowboy."
I replace Shelly's weight on the bar. "Come on. Your
turn," I say. I punctuate it with, "Mrs. Wariner."
"Shelly," she corrects. She begins squatting, me standing
behind, spotting her. With every repetition she thrusts her ass out more
and more.
"Come on now, don't push your butt out so far," I
say. "It's not good on your lower back." When I exchange
looks with her in the mirror, I see that she's still grinning. With
her last repetition she makes contact; her butt grazes my crotch.
Our last lift is the leg sled. I'm working on autopilot at
this point so I re-rack the weights and hustle her over to the sled.
Shelly slips under it and kicks her legs up, placing her feet on the
foot plate. I crouch beside her. After a couple reps, her gym shorts
slide up her thighs. I notice that she has a nice pair of legs; her
figure has its weaknesses, but her legs aren't one of them. She
catches me looking, so she wraps her hand around the inside of my calf
muscle and gives it a faint squeeze.
I stand up casually and back away. "Okay, I think one set will
be enough."
"But we normally do three," Shelly pleads. Her eyes are
glazed over, on fire.
"Ah, I know. But today let's try something a little
different--just a slight variation of the leg press," I lie. I make
up some exercise, one that doesn't require me to stand over or
behind her. I look to a corner of the gym near the dumbbell rack.
"It's a new thing: the standing dumbbell lunge. Targets your
quadriceps more effectively," I say, bullshitting to the very best
of my ability. The area near the dumbbell rack is crowded with people.
There's no way she can try something funny.
"Aw," Shelly says, pouting. "If you say so."
She eases herself out from under the leg sled and stands. Her shorts
still ride high and she makes no effort to pull them down. I suppress
the urge to yank them down for her.
"I say so." I take one forty-five pound plate off the leg
sled and re-rack it. I'm about to remove the other plate when
Shelly sneaks up behind me and, stepping on her tiptoes, whispers in my
ear.
"Take me home and fuck me."
You have fun, cowboy.
Oddly, this isn't as shocking as the initial ass-grabbing; I
guess I expect it by now. Anyway, I'm not going to let it bother
me. Not going to accept that Cathy's premonition came true. Not
going to admit that my House of Becoming is really just a high-class
meat market. Not going to be a piece of equipment blue-haired women can
rent by the hour. Still, what do I do? My mind races. How to respond?
How to turn her down politely? I can say I've got a girlfriend, but
Mrs. Wariner (I refuse to call her Shelly from this point on) is married
so fidelity obviously doesn't mean diddly. I can say I'm gay.
I can claim it's a professional no-no, but that might backfire:
Mrs. Wariner hires another trainer so there's no conflict of
interest, and then expects me to put out. And who knows--am I
overreacting? Maybe this is just normal, an occupational hazard? Do
other trainers here ball their clients? After a really long second I
give Mrs. Wariner a non-answer: "Uh, hmm."
She grabs me.
"Now you behave," I command like some father figure,
backing away. "And get over there to the dumbbell weights." I
smile like a chump.
"Oh, you're no fun," she says.
I don't need expertise in reading bodies to see Mrs. Wariner
means that. She wants man-handled; she could care less about Becoming or
a healthier state of mind. And if I don't give it to her,
she's not going to stick around. The future unfolds before my eyes:
like some cornball breakup, she'll start skipping appointments,
making excuses that her fundraising work is keeping her from the gym ...
and she'll disappear.
I walk toward the locker room to get my gear, so I can take off. I
feel beat up. On my way, looking into the cardio room, I notice Cathy
Ball talking to Yecenia. Yecenia has finished a two-hour workout on the
Stairmaster and stands fast, listening eagerly--no doubt absorbed by
this fitness matron's great wisdom about bodies and body language.
I glare at Cathy through the Plexiglas. She pauses mid-sentence,
and then glances at Mrs. Wariner, who is now up at the front counter
talking to Dr. Dave, wiping off with one of his towels. Cathy glances my
way. Then, a wan smile. A sympathetic I-told-you-so.
You bitch, I think. Can you read that?
Cathy resumes her conversation with Yecenia, who is also now
looking at me like I'm some kind of pariah.
Back in the locker room, I wash nay face and smooth back my hair. I
look at myself in the mirror. I've done it a million times, but
this time it's the weirdest thing: for a moment I don't
recognize what's reflected back. I'm embarrassed by my own
six-pack abs, my broad chest. Like it doesn't belong to me; and
even if it does, I'm not sure I want it. All that stuff about
Becoming? Well, maybe there is no Becoming. Maybe it's just a big
sham. But if there's no evolution, then what the hell are we
supposed to do? Hit on people less than half our age? Work out three
hours a day? Fold a never-ending supply of white towels? ... I try not
to think any deeper about this and turn away from my chisel-bodied
reflected half.
There's a motivational poster on the wall beside the mirror,
framed in thin plastic with cheap gold borders. A man and woman are
pictured hiking in some Rocky Mountain wilderness. The man offers the
woman his hand, and she steadies herself on some massive boulder.
Healthy Bodies; Healthy Spirits, reads the caption. I wonder what the
hell that has to do with the picture.
I wrestle my bag from the narrow locker and set it on the floor. I
sit on the bench between the lockers and play with the zipper, zipping
and unzipping the bag. I'm doing this for a while until some guy
comes in and startles me. I head-nod to him, say, "What's
up?" and act like I'm putting something in the bag. Then I
leave the locker room.
"Hail, ubermensch!" Dr. Dave bellows after I hand him the
locker key. He thumps his chest. "Returning to his mountain?
Ascending the peaks, only to descend another day to bless us with his
presence! See you tomorrow?"
I love Dr. Dave, but why does he have to talk like that? Maybe
those corporate types who scoff at Dr. Dave are right: he is a rube. Why
was Dave talking to Mrs. Wariner earlier--a woman who in my estimation
is the sickest twist on the planet? Does he have any idea she came onto
me? And what's with this "returning to my mountain" crap?
But then I'm too tired to deal with this anymore. I just want to go
home, drink beer and watch Springer. I imagine my mountain-top: a
second-floor efficiency in a beehive apartment complex at the busy
intersection of Colt and Beltline. The complex is jammed between a Long
John Silvers and Dickey's Bar-B-Q, half-hidden from the road by a
nail salon, a Chinese buffet and a cellular phone service.
Some mountain-top, some superman. You've got the wrong guy,
Mr. History Professor. I scan the gym for Cathy. I can't find her,
so to appease Dr. Dave I answer finally, "Yeah, returning to my
mountain, so I'll see you. You're right: I am the
superman."