Indian Motorcycle Company: strategy for market reentry.
Droege, Scott
CASE DESCRIPTION
The primary subject matter of this case concerns strategic
management. Secondary issues examined include entrepreneurship. The case
has a difficulty level of four, appropriate for senior level courses.
The case is designed to be taught in two class hours and is expected to
require two hours of outside preparation by students.
CASE SYNOPSIS
This case presents a an iconic U.S. firm, Indian Motorcycle
Company, with a rich history that has ceased production three times in
the past century and compromised the authenticity upon which the brand
is based through a variety of ownership changes and market challenges.
Indian Motorcycle Company most recently disillusioned consumers and
distributors in 2004 by suddenly ceasing production, leaving
distributors without products to sell, and leaving customers with
unenforceable warranties. But currently, the British private equity
firm, Stellican Limited, is attempting to restore the brand. Two of
Stellican's partners, Steve Heese and Stephen Julius, have taken
active management roles in the new Indian Motorcycle Company. Both have
experience in reviving struggling brands. Indian will soon begin
production of a motorcycle model, the Indian Chief, which hearkens back
to the 1930s. Yet with three failures in its past, it is uncertain
whether Stellican can bring the Indian brand back to life. Students must
decide whether the reentry of this nostalgic brand will be successful in
the highly competitive heavyweight cruiser segment of the U.S.
motorcycle industry.
INTRODUCTION
Steve Heese and Stephen Julius, partners in the venture capital
firm Stellican Limited, have faced similar challenges before but their
current challenge is among the most difficult. They intend to resurrect
Indian Motorcycle, a failed brand with a rich history. Despite a recent
botched endeavor to regain its place among the motorcycle
"cruiser" market, Indian Motorcycle once again will attempt to
capture the market's attention.
Stellican Limited has purchased the rights to the Indian Motorcycle
name. Stellican is not new to brand revival; the firm previously brought
back to life other firms with bleak outlooks. Riva is an Italian yacht
manufacturer with a 160-year history that nearly failed until Stellican
acquired it. Chris Craft is an American boat manufacturer that Stellican
revitalized. Even a dying Italian soccer franchise, Vicenza Calcia,
found its footing after Stellican injected it with capital and took an
active management role in rejuvenating the franchise. Still, will this
collective experience be enough to challenge entrenched and emerging
competitors in the American motorcycle industry? Julian believes he and
Heese can accomplish this:
"Great brands, if you do the right things with them, if you
manage to fulfill a promise to the brand by creating a beautiful
product, then the brand equity will come flooding to the surface very,
very quickly. What Indian needs is to be treated right. Its past needs
to be respected but its future needs to be recognized. If you can
produce a blend of contemporary products which hark back and takes cues
from the past, then you'll have a winning product."
LEGENDS AND STORIES
Factors setting Indian Motorcycle apart are the legends and stories
embedded in its past. For example, its first corporate sale was to the
New York City Department of Police. Police in New York had a recurring
need to capture horses that had gotten away from their owners; Indian
motorcycles provided the solution with motorcycles that were quick
enough to round up the horses.
As the U.S. entered World War I, the military had a dire need for
reliable and agile transportation. Indian Motorcycle agreed to suspend
its production of consumer motorcycles to supply the defense department
with over 41,000 motorcycles to meet the need. This sparked the
firm's reputation as a company committed to patriotism and
sacrifice (even though they profited greatly from the military
contract). Indian Motorcycle again received a Department of Defense
contract in World War II, further reinforcing this image.
A competency Indian Motorcycle gained during World War I was the
ability to make extremely nimble and responsive cycles despite the
reputation it later gained as a heavy, lethargic cruising motorcycle.
Among its early models, however, the Indian Scout was noted for
excellent handling. Stunt riders frequently chose the Scout as the
preferred model for wall-of-death stunts where riders would ride
horizontally in a large enclosed wooden cylinder. This wall-of-death
stunt is still performed today at the Sturgis Motorcycle Rally in South
Dakota, the largest annual motorcycle rally in the U.S.
Much later, Indian Motorcycle gained attention when its bikes were
used in Hollywood productions such as Terminaor 3, Cat in the Hat, and
Scooby Doo 2. Recently, The World's Fastest Indian recounted the
life of Burt Munro of New Zealand who set the motorcycle world speed
record in 1967 on a 1920 Indian Motorcycle he had rebuilt over a number
of years.
A CHECKERED PAST OF THREE FAILURES
The First Ending, 1901-1953
Indian Motorcycle was the first company to mass produce motorcycles
in the United States beginning in 1901, two years before current market
leader Harley-Davidson Motor Company. Two bicycle racers, George Hendee
and Oscar Hedstrom, founded the firm and in just three years Indian
Motorcycle received the Gold Medal for Mechanical Excellence just as
Harley-Davidson was getting off the ground. This was the same year
Indian Motorcycle came out as the leader of Great Britain's
Reliability Trial, a 1,000-mile endurance race.
By 1914, the firm had 3,000 employees producing over 32,000
motorcycles annually at its Massachusetts seven-mile long assembly plant
commonly referred to as "the wigwam." Although the original
name of the firm was the Hendee Manufacturing Company, as model lines
were expanded and eventually included motorcycles such as the Indian
Chief, the Scout, the Warrior, and the Arrow, the firm took on the
Indian Motorcycle name. While the firm had no direct connection to
American Indian tribes, each new model name was an effort to be
emblematic of U.S. heritage.
In 1938, Hap Alzina, owner of an Indian Motorcycle distributor,
narrowly missed beating Harley-Davidson's land speed record at the
Bonneville Salt Flats in Utah by only 1 mph (although Burt Munro set the
record on an Indian in 1967). This slight miss in 1938 became prescient
of Indian Motorcycle's future. The firm's profitability and
liquidity began to unravel as competition from Harley-Davidson and other
motorcycle manufacturers, together with the substitution threat from
Henry Ford's Model T automobile, resulted in pricing pressure
within the industry. In addition, the Great Depression followed later by
World War II hurt American consumers' discretionary income reducing
sales of nonessential consumer purchases. This combination of
competition, substitute products, and reduction in consumer
discretionary income magnified Indian Motorcycle's liquidity and
profitability problems.
At the end of the Great Depression, E. Paul DuPont acquired Indian
Motorcycle and saved it from bankruptcy. This coincided with the latter
part of the art deco period in American history and influenced
DuPont's motorcycle styling concerns. Indian Motorcycle under
DuPont's direction incorporated art deco styling with its
now-classic deep fender skirts, seat fringe, and the look that became
associated with historical biker traditions.
In 1945, Torque Engineering Company acquired Indian Motorcycle from
DuPont. Increases in consumer spending after World War II were not
enough to buoy sagging motorcycle sales forcing Torque to divide the
firm into the Atlas Corporation as the manufacturer and Indian Sales
Corporation as distributor. However, this restructuring initiative was
unable to restore the company to its former profitability. Production in
the Massachusetts plant was discontinued in 1953.
The Second Ending, 1954-1985
The private British firm, Brockhouse Limited, bought the rights to
the Indian Motorcycle name and its remaining assets in 1954 after U.S.
production ceased. Brockhouse ran an ad in the U.S. stating: "After
many moons ... a brand new Indian." This ad was intentionally
designed to capture the Indian Motorcycle tradition and continue the
trust American motorcycle enthusiasts had placed in the firm.
Brockhouse maintained Indian Motorcycle's U.S. distribution
network but moved production to England through a joint venture with
Royal Enfield, a British motorcycle manufacturer (now located in India).
Rather than producing "a brand new Indian" as promised,
Brockhouse simply rebranded Royal Enfield motorcycles. Royal Enfields
that were shipped to U.S. distributors bore the classic Indian
Motorcycle badge with Indian script on the gas tank. This was an attempt
to capitalize on the Indian Motorcycle heritage while also leveraging
the market popularity of British motorcycle manufacturers such as
Triumph, BSA, and Norton. These firms were gaining market share in the
U.S.; Brockhouse believed that branding its motorcycles to link the past
with the present was key to increasing sales among American bikers.
Brockhouse's Royal Enfields continued the tradition of purloining
Native American history by introducing new models with names such as the
Tomahawk, Apache, and Fire Arrow.
However, U.S. bikers quickly recognized that the new Indians were
not traditional American motorcycles but rather British bikes with
different names. Although other British bikes had a loyal following in
the U.S., the Royal Enfield Indians soon became known as a
"knock-off" brand. Among U.S. bikers, authenticity was among
the most important features. A British motorcycle feigning an American
tradition had difficulty penetrating this core biker market.
Toward the end of the 1960s, Brockhouse realized its strategy was
failing. The Indian brand had mostly disappeared as the distribution
network dried up from lack of sales. At this time, Floyd Clymer, a
wealthy American who had been an Indian Motorcycle distributor, a
motorcycle racer sponsored by Harley-Davidson, and owner of the renowned
Cycle trade magazine, attempted to save the brand. Clymer valued the
traditions set by Indian Motorcycle in its pre-1954 era and attempted to
restore the authenticity by reviving the Indian Scout model. Clymer
wanted to improve the quality as well as restore the brand to its roots
and this, paradoxically, led to its downfall. Clymer utilized a
German-built frame that was state-of-the-art at the time but combined
this with an older model engine. This attempt to link the old with the
new, although advertised heavily, never gained the momentum to even make
it to production.
Clymer then took a different approach and targeted the sport bike
market composed of motorcyclists who were less steeped in loyalty to
American motorcycle brands and instead were more impressed with
performance regardless of country of manufacture or origin. Clymer put
together an Italian high-performance frame sourced from Italjet with a
top-of-the-line engine sourced from Royal Enfield. Additional parts were
sourced from other German, Italian and, and British firms. After
producing less than 100 of these motorcycles, Clymer died, leaving the
vision of an Indian-branded high-performance sport bike unfulfilled.
Clymer's attorney, Alan Newman, took over where Clymer left
off. But rather than aiming for the large-bore cruiser market, Newman
saw more potential in the minibike and small transportation market. He
opened a factory in Taiwan and sold 20,000 bikes in the 1972-1973 model
year. While not near Indian's peak during its glory days--its
single year record sales were set in 1913 at 32,000 units--this was
still a profitable venture. Newman cashed out in 1977 by selling the
rights and assets to American Moped Associates, a firm that continued
production in Taiwan until selling in 1982.
By this time, the original concept that had gained such popularity
in the first half of the century was far removed from the then-current
production model. Indian Motorcycle had lost its authenticity and now
was just another small bike producer competing with Honda, Kawasaki,
Yamaha, Suzuki and other mass producers. What was left of the Indian
Motorcycle brand folded in 1985 as competition compressed profit margins
and contracted market share.
The Third Ending, 1998-2004
Murray Smith, backed by $22 million in venture capital funding,
bought the Indian Motorcycle trademark in 1998. Production began
promptly in 1999 with the Indian Chief, a large cruiser model designed
to replicate the famed model of the art deco era. The board of
directors, however, fired Smith after only one year when the board and
Smith clashed over the strategic direction of the new venture. Smith
wanted to leverage the Indian Motorcycle brand into a restaurant
franchise and develop a line of Indian-branded cologne and other
merchandise. The board believed the most promising approach was to focus
initially on the motorcycle itself rather than diversification into
other product and service lines.
In 2000, the company achieved sales of $90 million. In 2001, Frank
O'Connell, formerly a top management member at both Reebok and then
Gibson Greetings, bought private equity firm Audux Group and
subsequently injected $45 million into Indian Motorcycle Company thereby
acquiring a controlling interest in the firm. Smith told Fortune
magazine, "To bring back a legend is the sexiest thing in the
world."
Also in 2001, Indian Motorcycle Company reintroduced the Indian
Scout and the Indian Spirit, both smaller than the Chief but still
targeting the cruiser market. The company believed the best strategy was
to get production up quickly by assembling outsourced components with
intentions to subsequently produce major components such as a
proprietary engine as the firm developed. Engines were originally
sourced from S&S Cycle, an American manufacturer, while
Indian's R&D engineers were designing a motor. The new
proprietary engine was introduced in the 2002 model year.
"To bring back a legend is the sexiest thing in the
world" but it may also be the impossible dream, at least at this
point in Indian's evolution. During the 2004 model year, Indian
produced only 40 motorcycles then suddenly announced it was
discontinuing business. This left bikers who had purchased Indian
motorcycles since 1999 with no authorized service dealers and warranties
that no longer had any backing. Distributors were left with no bikes to
sell. Once again the reputation of Indian Motorcycle was tarnished.
THE CRUISER SEGMENT OF THE U.S. MOTORCYCLE INDUSTRY
The new Indian Motorcycle Company is now thinking carefully about
segmentation within the cruiser niche of the U.S. motorcycle market.
Harley-Davidson is the incumbent with historical similarities to Indian
but with a huge market lead and a very established distribution network.
Harley-Davidson--among the most recognizable brands in the
world--currently has 49% of the heavyweight, or cruiser, segment of U.S.
motorcycle sales. Victory Motorcycles is a division of Polaris started
in 1998 that can, along with Indian and Harley-Davidson, claim that it
is an American motorcycle company with headquarters in Minnesota (this
tends to have consumer appeal in the cruiser market segment). Non-U.S.
firms that target the motorcycle cruiser market such as Honda, Yamaha,
Kawasaki, and Suzuki have established a strong following among cruiser
buyers. These firms have taken styling cues from Harley-Davidson and
combined them with distribution and manufacturing scale to drive cost
reductions. Still, these manufacturers' motorcycles tend not to
have the esteem of the market leader, Harley-Davidson, within the
cruiser segment of the market. Boutique firms such as Orange County
Choppers and Mad Dog make custom, one-of-a-kind motorcycles. For
example, Orange County Choppers recently built a chopper with a built in
guitar amplifier for Hartley Peavey, founder and CEO of the acoustic
industry specialty firm Peavey Electronics. These custom motorcycles
tend to have considerable esteem and status among bikers; however, the
one-off custom manufacturing process eliminates the scale efficiencies
of the mass producers. Prices can be more than ten times as much as a
top-of-the-line Harley-Davidson or Victory motorcycle. Thus, the
boutique firms aim for the upscale market within the cruiser segment of
the motorcycle industry.
The cruiser segment of the U.S. motorcycle industry is growing by
about 5%. Higher growth areas are overseas. The European cruiser
segment, for example, is expanding at a 14% rate although analysts
predict this will slow over the next few years. All manufacturers except
the boutique firms are taking advantage of this disparity by enlarging
overseas distribution networks. Still, U.S. personal discretionary
income is high relative to many other parts of the world; U.S. sales
currently generate 30% of total motorcycle manufacturer revenues even
though the U.S. accounts for only 7% of global motorcycle unit volume.
The new Indian Motorcycle Company has future plans to expand into
international markets, but the near-term strategy is to focus
reintroduction in the U.S. This is as much a practical concern as a
market concern; a driving priority for Indian is development of a
network of dealers in the U.S.
Several factors are likely to affect the U.S. cruiser market.
Consumer confidence is a key economic driver of sales. If personal
income rates stagnate and unemployment rates increase, discretionary
purchases such as motorcycles will be hit hard. Some analysts believe an
aging baby boomer population will dampen demand for future U.S.
motorcycle sales as health problems prohibit the ability of some among
this demographic group to ride motorcycles (the average age of
motorcyclists is currently 42-years-old). On the other hand, as baby
boomers retire they also gain increased free time to ride motorcycles.
In either case, only 1.1% of U.S. bikers ride their motorcycles to work
providing support that, for many individuals, motorcycle purchases are
discretionary rather than necessary. Economic and demographic factors
that can constrain discretionary income thus can have a heavy impact on
motorcycle demand.
PREPARING FOR REINTRODUCTION
After Indian Motorcycle Company failed for the third time in 2004,
Steve Heese, president, and Stephen Julius, chairman, purchased the
rights to the Indian brand name through the venture capital firm
Stellican Limited. However, they realize it will take much more than
simply leveraging the brand of the past to build a successful company
for the future. Both executives are well aware of Indian's past
successes and failures. Still, they are firmly committed to bringing
back the iconic legacy. Stellican has recently backed up this commitment
with $30 million of additional funding beyond that paid for the initial
brand name rights. Julius states:
"This capital increase is a clear demonstration of our
significant commitment to the successful future of Indian Motorcycle. It
ensures that the Company has the proper financial foundation. However,
the success of Indian Motorcycle will not be based on capital alone.
Recruiting a world-class management team and following the appropriate
business strategy are paramount."
Currently, Indian has a 40,000 square foot manufacturing plant in
Kings Mountain, North Carolina with room for expansion of up to 125,000
square feet.
Steve Heese, as Indian's current president, brings substantial
experience in reviving deteriorated brands. He is a partner with
Stellican Limited and also president of Chris Craft, a formerly
struggling boat manufacturer Heese was able to reposition Chris Craft as
a stable manufacturer in the boating industry. Stephen Julius is
chairman of Chris Craft. The combined talent of the Heese-Julius
management team makes Indian Motorcycles a formidable competitor if they
can overcome the mistakes of the past. Both Hees eand Julius were
involved when Stellican Limited turned around the Italian yacht
manufacturer Riva and the Italian soccer franchise Vicenza Calcia.
Together, Heese and Julius bring decades of cumulative experience to
successful brand reentry.
Yet, it will take more than these two executives to successfully
bring the Indian back to life. Heese and Julius were successful in
recruiting Geoff Burgess as Vice President of Product Development and
Engineering. Burgess, ironically, was previously Director of Product
Development at S&S Cycle from whom Indian sourced its engines in
1999 and 2000. Getting Burgess to join Indian was a major win. In
addition to his work at S&S Cycle, Burgess has held product
development posts at Victory Motorcycles, Global Motorsports Group, and
others. As of May 2007, Indian had employed only 14 engineers but plans
to increase this to 200 in the near future. Recently, Indian hired Nick
Glaja, a 27 year veteran in the motorcycle industry, as Vice-President
of Engineering.
Indian will begin with only once model line, the Indian Chief. The
Chief may have a few product variations, but near-term plans include
only this single model. Future plans are not yet definitive but will
likely include other model lines such as the Scout.
Indian has been marketing its introduction rather quietly. The top
management team realizes that Indian's most recent failure in 2004
was in part due to over-promising and under-delivering. The current team
is attempting to avoid making promises that seem too ambitious, worrying
that potential consumers, and especially distributors who remember when
the former Indian Motorcycle Company left them hanging, will see the new
Indian Motorcycle Company as just a specter of the past. Instead of
aggressive advertising, the new Indian has utilized a grass roots model.
The company has been catering to current Indian owners groups such as
the Iron Indian Riders Association. Indian has also taken the unusual
step of promising availability of a new 2009 Indian Chief for a $1,000
deposit made through the company website. The uniqueness of this is that
potential buyers will not know the final price, motorcycle
specifications, or any other details until production begins even though
they must pay their $1,000 deposit upfront.
FUTURE CHALLENGES
The company claims in a recent press release:
"There is a considerable consumer base for a premium line of
motorcycles under the Indian Motorcycle brand, which has an almost
cult-like status amongst many consumers. The company will focus on
supplying genuine, American made, motorcycles which are beautifully
designed, made of the highest quality materials, reliable and supported
by a qualified dealer network."
This presents some assumptions, however. Those who remember first
hand the "cult-like" status of the original Indian Motorcycles
are well into their 60s or beyond given that the last of the
"authentic" Indians were produced in 1953. No doubt there is a
consumer base that desires premium motorcycles, but will Indian be able
to penetrate markets with established incumbents such as
Harley-Davidson? The recent rebranding by Yamaha of its Star motorcycle
line competes in this same market space. A relative newcomer to the
cruiser market, Victory (owned by Polaris) has also established a strong
foothold in this same target market with excellent quality ratings by
J.D. Power and Associates. Will another newcomer such as Indian be able
to achieve quality levels at the outset necessary to win over consumers
and distributors who were burned by Indian's sudden closure in
2004? And will a single model line in the near term, the Indian Chief,
be enough to convince potential customers and distributors that Indian
is here to stay?
Stephen Julius has promised that "this is a 10, 15, 20-year
project, this is not a 12-month project ... There's no magic to
this. We've just got to do it right, slowly, carefully, take our
time and not think that it's going to happen overnight."
Julius points out that the problem with the most recent Indian
Motorcycle during the 1999-2004 period was that "they just felt
that it could be done instantly and it can't." Given this
history, why has Stellican Limited chosen Indian when there are numerous
other investment alternatives?
Indian has failed on numerous occasions in the past, yet the top
management team of Steve Heese and Stephen Julius has succeeded in
similar situations just as often. Combined with the motorcycle product
development expertise of Geoff Burgess and the engineering expertise of
Nick Glaja, Indian has a highly competent group leading its strategic
initiatives. With the financial backing of Stellican Limited, Indian may
once again have a chance to pierce the American cruiser market segment.
Still, is this enough? Heese and Julius now face the combined challenges
of moving from design to development, creating a distribution network,
and regaining the confidence of the American cruiser market despite past
failures.
Stephen Julius recently reported to potential customers: "We
are honored and inspired by your patience and continued commitment to
the resurgence of Indian Motorcycle. We feel certain that we will
surpass your expectations with our world-class staff, sound engineering
platform and selection of dealers committed to premium service."
Time will tell.
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Scott Droege, Western Kentucky University