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  • 标题:The Double Twist: from Ethnography to Morphodynamics.
  • 作者:Mimica, Jadran
  • 期刊名称:Oceania
  • 印刷版ISSN:0029-8077
  • 出版年度:2003
  • 期号:September
  • 语种:English
  • 出版社:Blackwell Publishing Limited, a company of John Wiley & Sons, Inc.
  • 摘要:The Double Twist: From Ethnography to Morhodynamics. Edited by Pierre Maranda. Toronto, Buffalo, London: University of Toronto Press, 2001. Price US$ 65.00. hardbound.
  • 关键词:Books

The Double Twist: from Ethnography to Morphodynamics.


Mimica, Jadran


The Double Twist: From Ethnography to Morhodynamics. Edited by Pierre Maranda. Toronto, Buffalo, London: University of Toronto Press, 2001. Price US$ 65.00. hardbound.

In his classic essay of 1955 'The Structural Study of Myth' Levi-Strauss came up with a universal formula of mythopeic dynamics [fx(a):fy(b)::fx(b):fa-1(y)] that he called canonical 'for it can represent any mythic transformation'. This formulation received its consummation in the four massive Mythologiques volumes, the last of which crystallises the fundamental dialectics of mythopoeic thought: that there is 'one myth only' and the primal ground of this 'one' is 'nothing'. The elucidation of the generative matrix of the myth-work is thus completed as is the self-totalisation of both the thinker and his object.

None of the contributors to Maranda's volume recognises the relationship in this trajectory of LeviStrauss' quest for the absolute conditions of the possibility of mythopoeic thought, condensed in the canonical formula (CF thereof), and his own strivings to become the canonical mythologue and philomythes. At the same time one must be aware of Levi-Strauss' ambivalence about this trajectory, manifestly so in his averred self-explications as to what his canonical formula is all about. As late as 1969, nearing the closure of his Wagnerian tetralogy (in 1971), he declared in a personal communication to Maranda that '[h]e himself has never seen it as anything more than "a drawing" to illustrate the "double twist" which is translated with respect to the passage from metaphors to metonymies and vice versa' (in Maranda and Maranda, Structural Models in Folklore, 1971:28). Hence the title of this collection, But in two shorter books, supplementary to the tetralogy, that appeared in 1985 and 1991, Levi-Strauss gave a new boost to his formula indicating that it was something far more fundamental than an 'illustrative drawing' and that it had guided his work on myth from its inception to his (at that time) current station and beyond.

The present collection of ten essays, one by Levi-Strauss himself, intends to elucidate the scope and meanings of the CF via a series of assessments. These range from concrete ethnographic applications (in Part One, especially, by Schwimmer and Maranda who deal with Melanesian life-worlds), analysis of classical myths, 'computer observations' (Part Two), to disquisitions on the cognitive basis of the CF, its logico-mathematical physiognomy and viability (Part Three).

Levi-Strauss' contribution (Ch.1) extends the scope of application of the formula 'to other fields. notably architecture. (..) The passage from one material to another thus plays the same role as do changes of a linguistic or cultural nature in other contexts: it always involves the crossing of a threshold' (p.29). In this regard one could reflect more deeply and say that 'the double twist' phenomenon, of which the CF is but a superficial and restricted formulation (circumscribed by the narrative mode of mythopoeia), echoes the dynamics of the human unconscious psyche as the human neonate crosses the threshold of birth, cathects the sensuous world and makes it his/her own milieu. Subsequently the arduous vicissitudes of human separation and individuation go through numerous moments of most intricate severances, lacerations, loops and knots, vis-a-vis which the 'CF double twist' is but a weak image. The formula aspires in vain to translate the primal totalising desire for omnipotence and omniscience into the canon of scientific respectability and cognition, the mathematical mode of objectification.

All contributors are committed to the same presumption that they can deal with mythopoeia without having to reflect on the reality of human psyche, specifically as articulated by psychoanalysis and Jungian depth--or archetypal--psychology. It is symptomatic that the senex among them, the canonical mythologue, is the one who feels compelled to deride the latter as 'the most superficial: a shallow psychology one might say, that offers no real substance for reflection' (p.26). Here Levi-Strauss deceives himself into thinking that his mode of formula-risation will do away with the realm of incarnated psyche and its archetypal dynamics. The motivation for derison seems to be a compromising intimation that, while this realm of the 'objective psyche' (Jung) is manifest in so many diverse cultural-historical life-worlds, he can only deal with this fact through quasi geometrisation and suggestive formalisations which lack a critical ontological clarification. Accordingly he also undercuts both the work of mathematical noesis and its primordial self-articulation in the universal images and figures of human mythopoeic matrix of the embodied mind. But if one judges him by his suggestive diagramatic images (eg., p. 28), as one ought to, rather than by his explicit pronouncements, it becomes highly probable that the canonical mythologue's psyche knows its objective depths better than its egoic vehicle and mouthpiece avers.

Other papers in this collection more and less approximate to the same general threshold of self-scotomisation. On the side of ethnography, Maranda's paper contains some interesting information on the Lau of Malatia (the Solomons) but in respect of the 'double twist' he has nothing significant to say. The interested reader should consult his original piece, co-authored with Elie Kongas Maranda; Leach's review of the same (Semiotica, 1973) is recommended as a critical appraisal. Scubla's contribution (Ch 5) is informative on the history of exegeses of the CF and summarises his doctoral thesis on the same topic recently also published in French as a book. Two papers merit emphasis for scholarly interest and thoughtfulness: Chris A. Gregory makes interesting connections between Levi-Strauss' thought and 17th century Ramistic logic (Ch. 7); Andrew W. Quinn relates the CF to the field of current theories popular in cognitive sciences (eg., connectionism). He is the only one who relates mythopoeia to the dynamis of human imagination and credits Levi-Strauss with an 'anthropological theory of the imaginary' (p.235). This indeed is a productive way to think about his ideas and work. But the truth is that Levi-Strauss has no explicit theory of the imaginary despite the fact that his powers of morphic imagination are formidable and that this is his foremost cognitive resource. I regard Quinn's paper as by far the most thoughtful and informative contribution in the collection.

Jean Petitot's contribution is enunciated in the subtitle of the collection. A disciple of Rene Thom and Levi-Strauss, he is a champion of Thom's morphodynamic modelling and Zeeman's catastrophe theory. Alas, these techniques are not up to the task of modelling that dynamis of imagination that generates the 'schematism of our understanding; (..) an art concealed in the depths of the human soul' (Kant, CPR:B181). The only memorable statement comes from Petitot's 1988 paper (in L'Homme), on the morphodynamic approach to CF, to the effect that it is 'an intelligent formula'. As for the rest, one should read L-S' The Jealous Potter for which Petitot provided in his 1988 paper a sort of morphodynamic commentarial trace-copy which neither amplifies nor supplements the original. Petitot's paper in this volume is like an echo-commentary on his own 1988 and 1995 (in another issue of L'Homme) commentaries on the CF, and these are nothing more than mediating copies of Thom's and Zeeman's ideas, which in fact can deliver lar less than their creators and users claim for them. Petitot knows his teacher's concepts extremely well but these cannot do the thinking by themselves. Petitot here is just a trace-copyist, a technician without a smudge of demiurgic imagination, Indeed, none of these mathematicians has the noetic power to divine that realm, to use Plato's images, above the dianoia and in the manner of the demiurge to behold and formulate the figurations of the autogenerative noesis which transforms the sensible into the properly human existential cosmion. In this collection Quinn's paper gives an intellectually far better discussion of the overall relevance of Thom's 'semiophysics' for Levi-Strauss' project of an 'anthropology of the imaginary', including a fine precis of Petitot's previous work.

All in all, the present commentarial contributions, in conjunction with a useful paper by Solomon Marcus (Semiotica, 1997), referred to by several authors though not included in the volume, neither significantly deepen the intelligibility of Levi-Strauss' CF, nor plumb its theme: human mythopoeic dynamics. And for that the practice of some such technique as active imagination, lucid dreaming, and Dali's 'paranoiac-critical method' (at the onset of his illustrious career Lacan supposedly made an effort to discuss it with Dali), will be far more illuminating and productive than any morphodynamic modelling practiced by those who are eminently impotent in both noetic modes: the intellective morphism and its autogenerative dynamis. By contrast, at the age of 95 the canonical mythologue still has the abundance of both. Which is to say with Kant, the secret power hidden in the depths of his soul makes itself manifest in his work despite himself. Its shortcomings notwithstanding, the merit of Maranda's volume is to keep the legacy of Levi-Strauss' noetic horizon unoccluded by the current epoch of academic anti-thought, thus insuring that the work of this outstanding thinker maintains its presence in the mainstream Anglophone anthropology. It will always be intellectually invigorating and productive to think critically with and through Levi-Strauss' world of noetic imagination.

Jadran Mimica,

University of Sydney.

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