摘要:Van Gogh portrays cuts of the act of planting, reaping, harvesting and bundling wheat. This article is aimed at doing a comparative update between the painter works and cane cutters portrayed by Gabriel Oliveira in Flórida Paulista (SP). By uniting both readings, it intends to construct a visual narrative of the song Cio da Terra, of Milton Nascimento and Chico Buarque. The goal is to search in the canvases and in the pictures, the visibility of the poem, and in the poem, the readability of the pictures, in order to create a sensation of “reader navigator” where he could sometimes navigate in the waters of image and then in the waters of text, constructing an deconstructing text and image poetically.