Aleksandar Petrov. Kao zlato u vatri. Belgrade. Signature. 1998. 421 pages. ID 69369100.
Mihailovich, Vasa D.
The unfortunate recent events in the Balkans could not help but
find echoes in contemporary Serbian literature. In his novel Kao zlato u
vatri (Like Gold in Fire) Aleksandar Petrov does not deal with those
events directly. His aim is rather to show what terrible misfortunes
have befallen the Balkan people in the last hundred years and what price
they have had to pay for the mistakes of "false Messiahs"-
domestic and foreign, Nazi and communist, and above all the politicians
and national leaders. The victims are all ethnic groups-Serbs, Croats,
Muslims, and, most of all, Jews.
Kao zlato u vatri describes the history of Sarajevo and Belgrade
Jews from the end of the last century to the present. They were, like
smoke, almost blown away from the homes they had begun to build on
Balkan soil five centuries ago, not deserving such a fate for any
reason. In its broad sweep, Petrov's novel attains a certain
universal character and significance. Of particular interest is the fate
of the Russians, the narrator's ancestors, who were stranded in the
Balkans by the October Revolution. Fleeing one disaster, they
experienced another in the Balkan cauldron. Some of them, along with
those whom they were fleeing, were nabbed by special units of the Red
Army and sent to Siberia. In a word, the reader discovers the historical
roots of today's calamities.
Besides the novel's themes, its structure is interesting as
well. A kind of novel within the novel, "War and Peace,"
written by one of the protagonists, Laura Vujanov, who is Jewish on her
mother's side and Serbian and Russian on her father's, is
accompanied by her letters to the narrator before she began the writing
of her own novel. The chapters are symmetrically arranged according to
the scheme 13+5+13+5+13, forming a unique circle whereby at the
conclusion the long tale returns to the beginning. From among forty-nine
chapters, several are especially noteworthy. "Usna harmonika"
(The Harmonica) describes the destruction of the Jews in the camp at
Jasenovac at a time when the commander was Dinko {aki (whose trial was
in preparation as this novel was being published). "Srpski narodni
savez" (Serbian National Federation) deals with American Serbs and
their oldest fraternal organization in Pittsburgh. "Nestala"
(Vanished) bespeaks a fitting finale to this Balkan tragedy.
The final chapter, "Zalazak" (The Sunset), hints at all
the human psyche associates with sunset. On the other hand, it also
prophesies future tragedies, as in the description of the bombings of
Belgrade during World War II and the projections forward to present-day
Belgrade. Although all participants in this colossal drama are losers,
the hope is that the appearance of the black sun at the end of the novel
does not augur another deadly night but rather a rebirth and better
future at the threshold of the new century.
In a modernistic and at times bravura way, Petrov connects decades
and centuries, distant parts of the world and continents with characters
tossed about the earth without either their desire or their knowledge. A
prominent poet, Petrov possesses a lyric talent which comes through in
delicate descriptions of nature and people, enriching the narrative tone
substantially. Altogether, Kao zlato u vatri is one of the outstanding
novels of contemporary Serbian literature.
Vasa D. Mihailovich
University of North Carolina, Chapel Hill