文章基本信息

标题：Crítica social no discurso narrativo de “O último pesadelo” de Lília Momplé
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作者：Bruna Cielo Cabrera ; Anselmo Peres Alós
期刊名称：Confluenze. Rivista di Studi Iberoamericani
印刷版ISSN：2036-0967
出版年度：2016
卷号：8
期号：1
页码：215-224
DOI：10.6092/issn.2036-0967/6272
语种：Portuguese
出版社：Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
摘要：This paper establishes a parallel between the social critique about the nation’s memory of Angola in the 1960s, and the storyteller’s manifestations against the impartiality (expressed by judgments of value and a "critical omniscience") inserted in Lilia Momplé’s short story "O último pesadelo" in the book Ninguém matou Suhura. Based on the scenes of violence from the colonial regime in Angola and analytical positions expressed by the narrator, the goal is to point out these manifestations of narrative voice in postcolonial fictional portrait and unite them to a theoretical question of imperialism and colonialism.↓Este trabalho traça um paralelo entre a crítica social, relativa à memória da nação angolana nos anos 1960, e as manifestações contrárias à imparcialidade do narrador (expressas por juízos de valor e uma “onisciência crítica”) inseridas no conto “O último pesadelo”, de Lília Momplé, no livro Ninguém matou Suhura. A partir das cenas de violência do regime colonial português em Angola e dos posicionamentos analíticos expressos pelo narrador, o objetivo é apontar as manifestações da voz narrativa através do retrato ficcional pós-colonial e uni-las à questão teórica sobre imperialismo e colonialismo.
其他摘要：This paper establishes a parallel between the social critique about the nation’s memory of Angola in the 1960s, and the storyteller’s manifestations against the impartiality (expressed by judgments of value and a "critical omniscience") inserted in Lilia Momplé’s short story "O último pesadelo" in the book Ninguém matou Suhura. Based on the scenes of violence from the colonial regime in Angola and analytical positions expressed by the narrator, the goal is to point out these manifestations of narrative voice in postcolonial fictional portrait and unite them to a theoretical question of imperialism and colonialism.
关键词：Postcolonial fiction;Lília Momplé;Mozambican short stories;Social critique;Narrative;Postcolonial fiction;Lília Momplé;Mozambican short stories;Social critique;Narrative;Ficção pós-colonial;Lília Momplé;Conto moçambicano;Crítica social;Narrativa