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  • 标题:Improvocracy, or Improvising the Civil Rights Movement in Wadada Leo Smith’s Ten Freedom Summers
  • 本地全文:下载
  • 作者:Daniel Fischlin
  • 期刊名称:Synergies Canada
  • 印刷版ISSN:1920-4051
  • 出版年度:2012
  • 卷号:8
  • 期号:1
  • 语种:English
  • 出版社:Synergies Canada
  • 摘要:Improvising trumpeter and composer Wadada Leo Smith has consistently attended to the linkages between musical improvisation and social justice issues in his work over a long and remarkably productive career marked by a prodigious output of independently-minded music. Having recently celebrated his seventieth birthday by performing with six groups over two nights at Roulette in New York, he has also just released a milestone achievement—Ten Freedom Summers (Cuneiform Records, 2012)—dedicated to exploring through improvised and composed musicking the resonances of the American Civil Rights Movement from 1954 to 1964. This four-CD set of nineteen pieces, totaling some four and half hours of music, is also a three-night performance event that uses videography (but no spoken word interjections) organized around three sections that oscillate between composition and improvisation. Smith’s searing, incendiary, clarion-clear trumpet provides a narrative line that sustains throughout.
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