摘要:Theoretically based on the studies of the medievalist Pau l Zumthor, mainly focusing on the concepts of mouvance and intertext uality, this paper aims to present a comparative analysis of a Tagelied by Heinrich von Mo rungen and two modern reinterpret at ions, the first by Mascha Kaléko and the second by Karin Kiwus, t aking int o account the reiterat ion and updating of theme and mo tif
关键词:Tagelied. Lyric love poetry. Mouvance. Intertextualit y