文章基本信息

标题：‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
本地全文：下载
作者：David Forrest
期刊名称：FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts
印刷版ISSN：1749-9771
出版年度：2009
卷号：0
期号：09
语种：English
出版社：School of Literatures, Languages and Cultures, University of Edinburgh
摘要：The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen culture refreshed, suffering as it did from the same level of under-representation that blighted literature. In a wider context, the films’ freshness and vigour can also be seen to be identified in a new approach to film style and aesthetics which had more in common with the European art cinema than the staid traditions of British filmmaking.