文章基本信息

标题：Cine quinqui e imaginarios sociales
本地全文：下载
作者：Gérard Imbert
期刊名称：Área Abierta
电子版ISSN：1578-8393
出版年度：2015
卷号：15
期号：3
页码：57-67
DOI：10.5209/rev_ARAB.2015.v15.n3.48937
语种：Spanish
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：In quinqui films converge a vindication of freedom, formalized as a cry of rebellion and a mystification of its protagonists, those young offenders elevated to the status of new héroes, protagonists of a desperate struggle, between social survival and outright rebellion. This reflects a fascination with the lumpen, for an otherness that does not find its place in the new ideological and social formation but also an hipervisibilización of the body as an instrument of liberation that challenges gender identities, especially male. If, in the social discourse of the transition , there is only exacerbated identity, spectacularized violence, body is also flaunted, overexposed.
其他摘要：In quinqui films converge a vindication of freedom, formalized as a cry of rebellion and a mystification of its protagonists, those young offenders elevated to the status of new héroes, protagonists of a desperate struggle, between social survival and outright rebellion. This reflects a fascination with the lumpen, for an otherness that does not find its place in the new ideological and social formation but also an hipervisibilización of the body as an instrument of liberation that challenges gender identities, especially male. If, in the social discourse of the transition , there is only exacerbated identity, spectacularized violence, body is also flaunted, overexposed.
关键词：Cine quinqui;imaginarios;identidad;cuerpo.
其他关键词：Quinqui films;imaginary;identity;body.