文章基本信息

标题：La fotografía como documento sociocultural a finales del siglo XIX: Nadar y el retrato post mórtem
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作者：José Fernando Vázquez Casillas
期刊名称：Revista de Dialectología y Tradiciones Populares
印刷版ISSN：1988-8457
出版年度：2014
卷号：69
期号：2
页码：467-486
DOI：10.3989/rdtp.2014.02.010
语种：Spanish
出版社：Consejo Superior de Investigaciones Científicas
摘要：There is no doubt that photography was a transcendental element in nineteenth-century that definitely democratized portraiture. Citizenship found in this procedure the most effective way for their social representation. In this sense, this article deals with the important role photography played as as sociocultural document in late nineteenth-century through post mortem portrait studio. To understand this iconography we take as reference to Gaspard-Félix Tournachon «Nadar» testimony. The reflections of this photographer and theorist will help to clarify the social role of post mortem portrait at that time.
关键词：Post Mortem Photography;Portrait;XIXth Century;Gaspard-Félix Tournachon «Nadar»;Fotografía post mórtem;Retrato;Siglo XIX;Gaspard-Félix Tournachon «Nadar»