文章基本信息

标题：Documentary of (De)Colonization: Ex-Pajé as Border-Filmmaking & Paiter Suruí Re-existence
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作者：Samuel Johnson
期刊名称：Journal of Lusophone Studies
电子版ISSN：2469-4800
出版年度：2021
卷号：6
期号：2
页码：25-49
DOI：10.21471/jls.v6i2.455
语种：English
出版社：American Portuguese Studies Association (APSA)
摘要：This essay examines the linkage of epistemological inequities, social and ecological devastation, and ethnocide in Ex-Pajé, a collaborative filmmaking effort between writer-director Luiz Bolognesi, “ex-pajé” Perpera Suruí, and members of the Paiter Suruí community. This film serves as a potent counter to productions that side-line Indigenous actors, communities, and epistemologies, both narratively and visually, in favor of white, western protagonists and their saviorism. I argue that Ex-Pajé reveals the intersections between cinema and core tenets of decolonial theory. Ex-Pajé is a clear product of a “border-thinking” (Mignolo 2012) approach to film production, genre, and form as it portrays the strategies of “re-existence” (Albán-Achinte 2013) that define Paiter Suruí life while confronting ecological, social, and material colonial forces. Ex-Pajé visually and narratively reframes the colonial encounter from the perspective of Perpera Suruí, underscoring the need for collaborative story making that centers resistance to the violence of the Modern/Colonial age.
关键词：Amazonia;Indigenous peoples;Latin American film;Coloniality;Decolonization