摘要:The Archbishop Diego de Anaya groups one of the most remarkable book colections in the late Medieval Castilla. He collected his copies in many different ways, given the variety of applications they had throughout its trajectory. The two selected manuscripts (BGH, Ms. 2638 y Ms. 1906) enable to go deep into the orders in his final pase, in charge of the Sevillian diocese. The reference to Pedro de Toledo in his Will, and the proximity of the repertoires to his work contribute to outline new aspects of the controversial artistic personality.
关键词:Pedro de Toledo;illuminated manuscripts;Sevilla;Salamanca;Castilla