文章基本信息

标题：La ambivalencia de lo popular en los estudios culturales
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作者：Iñaki Martínez de Albeniz
期刊名称：Papeles del CEIC. International Journal on Collective Identity Research
印刷版ISSN：1695-6494
出版年度：2001
期号：2
DOI：10.1387/pceic.12089
语种：Spanish
出版社：Papeles del CEIC. International Journal on Collective Identity Research
摘要：This article approaches the genealogy of the differentiation between popular and high culture in the intellectual production of three of the most relevant sociologists of culture, George Simmel, Theodor, W. Adorno and Walter Benjamin. However, far beyond cultural studies, what constitutes their most important contribution from the sociological point of view is the construction of the notion of society that is inherent in their work. In order to asses these ideas the notion of style in Simmel, the negative dialectic in Adorno and the notion of illumination in Benjamin are problematized as opposed ways of social imagination.
其他摘要：This article approaches the genealogy of the differentiation between popular and high culture in the intellectual production of three of the most relevant sociologists of culture, George Simmel, Theodor, W. Adorno and Walter Benjamin. However, far beyond cultural studies, what constitutes their most important contribution from the sociological point of view is the construction of the notion of society that is inherent in their work. In order to asses these ideas the notion of style in Simmel, the negative dialectic in Adorno and the notion of illumination in Benjamin are problematized as opposed ways of social imagination.
关键词：popular culture;sociologie of art;music;cultura popular;sociología del arte;música
其他关键词：sociology;popular culture; sociologie of art; music