文章基本信息

标题：Primera plana de Billy Wilder. La nostalgia de los periodistas en el exilio
本地全文：下载
作者：Simón Peña Fernández
期刊名称：Estudios sobre el Mensaje Periodístico
印刷版ISSN：1988-2696
出版年度：2012
卷号：18
期号：2
页码：907-924
DOI：10.5209/rev_ESMP.2012.v18.n2.41054
语种：Spanish
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：At the end of his career, Billy Wilder filmed the third film adaptation of Ben Hecht’s and Charles MacArthur’s classic play The Front Page. In this work, along with his customary causticity, he also brought his own experience as a reporter in Vienna and Berlin in the 20s. The Front Page has built an influential portrait of the press as a ruthless profession with no scruples, whose redemption is only possible as a watchdog of an even more corrupt political power. Ten yearst after the death of the viennese director, his Front page lives in our memory as one of the most emblematic portraits of journalists in the cinema.
其他摘要：At the end of his career, Billy Wilder filmed the third film adaptation of Ben Hecht’s and Charles MacArthur’s classic play The Front Page. In this work, along with his customary causticity, he also brought his own experience as a reporter in Vienna and Berlin in the 20s. The Front Page has built an influential portrait of the press as a ruthless profession with no scruples, whose redemption is only possible as a watchdog of an even more corrupt political power. Ten yearst after the death of the viennese director, his Front page lives in our memory as one of the most emblematic portraits of journalists in the cinema.
关键词：Billy Wilder;Primera plana;periodismo;cuarto poder
其他关键词：Billy Wilder;The front page;journalism;fourth state.