文章基本信息

标题：Il disegno per il design dei beni culturali.
本地全文：下载
作者：Giuseppe Amoruso
期刊名称：DISEGNARECON
印刷版ISSN：1828-5961
出版年度：2010
卷号：3
期号：6
页码：123-130
DOI：10.6092/issn.1828-5961/2088
出版社：Alma Mater Studiorum, Università di Bologna
摘要：Design for cultural heritage includes theories, methodologies, and design techniques which encompasses the system of cultural heritage in its broadest sense addressing the cognitive, social and symbolic meaning for a territory and a community. Traditionally the representation disciplines are able to converse with the multiple fields of industrial design expertise proposing “interpretative models” for the analysis and representation of historical, cultural, aesthetic and environmental significance of cultural heritage and of its tangible and intangible issues. Strategy of valorization, such as explanation of the value of heritage, consists of the mapping of these values: 3D modeling, representation and multimedia. Representation become a mean for structured knowledge and flexible but also to configure the forms of innovation through the creative potential of Industrial Design.
其他摘要：Design for cultural heritage includes theories, methodologies, and design techniques which encompasses the system of cultural heritage in its broadest sense addressing the cognitive, social and symbolic meaning for a territory and a community. Traditionally the representation disciplines are able to converse with the multiple fields of industrial design expertise proposing “interpretative models” for the analysis and representation of historical, cultural, aesthetic and environmental significance of cultural heritage and of its tangible and intangible issues. Strategy of valorization, such as explanation of the value of heritage, consists of the mapping of these values: 3D modeling, representation and multimedia. Representation become a mean for structured knowledge and flexible but also to configure the forms of innovation through the creative potential of Industrial Design.