文章基本信息

标题：Cine bélico político y antipolítico. Un análisis comparativo de Apocalypse Now y de la Batalla de Árgel
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作者：Pablo Iglesias Turrión
期刊名称：Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas
印刷版ISSN：1578-6730
出版年度：2011
卷号：32
期号：4
页码：291-311
DOI：10.5209/rev_NOMA.2011.v32.n4.38081
语种：Spanish
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：This article is a comparative analysis of the “colonized Other”, what is represented in two films; Coppola´s “Apocalypse Now” and Pontecorvo´s “The battle of Algiers”. Using some concepts of Fanon classical study about Colonialism “The Wretched of the earth” (Les Damnés de la Terre), I doubt whether the aesthetics of violence in Coppola´s film represents the “Other” as a subaltern character. In “Apocalypse Now” the power of enunciation is on the side of the colonial narrator. On the other hand, in Gillo Pontecorvo's film, with documentary aesthetics, the Algerian National Liberation War represents the “colonized Other” as a powerful political subject. The article explores the importance of films as generator of political imaginaries of Colonialism and the national liberation processes. In the present context with military interventions in Iraq or Afghanistan and new films about those, again the problem of how the Other should be represented is emerging.
其他摘要：This article is a comparative analysis of the “colonized Other”, what is represented in two films; Coppola´s “Apocalypse Now” and Pontecorvo´s “The battle of Algiers”. Using some concepts of Fanon classical study about Colonialism “The Wretched of the earth” (Les Damnés de la Terre), I doubt whether the aesthetics of violence in Coppola´s film represents the “Other” as a subaltern character. In “Apocalypse Now” the power of enunciation is on the side of the colonial narrator. On the other hand, in Gillo Pontecorvo's film, with documentary aesthetics, the Algerian National Liberation War represents the “colonized Other” as a powerful political subject. The article explores the importance of films as generator of political imaginaries of Colonialism and the national liberation processes. In the present context with military interventions in Iraq or Afghanistan and new films about those, again the problem of how the Other should be represented is emerging.
关键词：political cinema;colonialism;other representation;political violence;cine político;colonialismo;imágenes del otro;violencia política
其他关键词：political cinema; colonialism; other representation; political violence