文章基本信息

标题：Response to Glenn Hughes, �Ulterior Significance in the Art of Bob Dylan�
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作者：Patrick Brown
期刊名称：Journal of Macrodynamic Analysis
印刷版ISSN：1499-1586
出版年度：2011
卷号：6
期号：0
语种：English
出版社：Memorial University of Newfoundland
摘要：This essay�originally a conference response to Glenn Hughes� essay�explores how themes and notions in Lonergan�s philosophy of art extend in surprising and often unnoticed ways into the larger whole of Lonergan�s thought. By the same token, the broader framework of Lonergan�s philosophy sheds a great deal of interesting light on his philosophy of art. The essay explores this mutual illumination in the context of Hughes� reflections on �ulterior significance.� For example, it relates Lonergan�s notion of art to his heuristic of human development as an intertwining or interlocking of the organic, psychic, intellectual, and religious levels in human development. It also relates Lonergan�s notion of art, together with his recognition of the centrality of the symbolic in human living, to his treatment of the permanent human needs for liberation from �the ready-made world,� for the sense of the unknown, and for orientation into mystery�even for orientation into ultimate mystery. �
关键词：Aesthetics, Theory of Art;Bob Dylan, Ulterior Significance, religion and art, Bernard Lonergan