文章基本信息

标题：DOIS OLHARES DIVERGENTES SOBRE A CULTURA DE MASSA
本地全文：下载
作者：Guilherme Sauerbronn de Barros
期刊名称：Música Hodie
印刷版ISSN：2317-6776
出版年度：2008
卷号：8
期号：1
DOI：10.5216/..v8i1.4565
语种：English
出版社：Música Hodie
摘要：This article proposes a reflection on creation and reception of mass culture in music, from two contrasting essays. The first one, “About Popular Music” (1941), from Theodor Adorno (1903-1969), is a classic of Musicology. The second text, “The Production of Success: an antimusicology of Pop Song” (1983), authored by Antoine Hennion (1952 -), comes to pop music in terms of musical production. Both texts address aspects of musical creation, transmission and reception. The authors identified, each in his own manner, the interests of agencies, the strategies for promotion and the fundamental characteristics of the listener of popular music. The authors, in turn, have radically different ways to relate to this music, and that difference is reflected in the texts in question. This difference shows, in addition, a substantial transformation in musicological studies throughout the twentieth century.
其他摘要：This article proposes a reflection on creation and reception of mass culture in music, from two contrasting essays. The first one, “About Popular Music” (1941), from Theodor Adorno (1903-1969), is a classic of Musicology. The second text, “The Production of Success: an antimusicology of Pop Song” (1983), authored by Antoine Hennion (1952 -), comes to pop music in terms of musical production. Both texts address aspects of musical creation, transmission and reception. The authors identified, each in his own manner, the interests of agencies, the strategies for promotion and the fundamental characteristics of the listener of popular music. The authors, in turn, have radically different ways to relate to this music, and that difference is reflected in the texts in question. This difference shows, in addition, a substantial transformation in musicological studies throughout the twentieth century. Keywords: Mass Culture; Adorno; Hennion.