摘要:This text is about the need for an interpretative look over the technique image, object that, contemporaneously, has attracted attention of media studies and communication. It is postulated here that the lack of analysis infers judgments of value to the images (if they are good or evil). In contrast, it points up the importance of human experiences in the universe of technical images. In this sense, we propose thinking: a) what conditions (external to the images) legitimize their theorization; b) how they are articulated and produce reality, and c) what changes have occurred in society because of the growing production of technical-images.
其他摘要:This text is about the need for an interpretative look over the technique image, object that, contemporaneously, has attracted attention of media studies and communication. It is postulated here that the lack of analysis infers judgments of value to the images (if they are good or evil). In contrast, it points up the importance of human experiences in the universe of technical images. In this sense, we propose thinking: a) what conditions (external to the images) legitimize their theorization; b) how they are articulated and produce reality, and c) what changes have occurred in society because of the growing production of technical-images.